Articles

“Introduction: neoliberal gothic.” Co-written with Linnie Blake. Neoliberal Gothic: International Gothic in the Neoliberal Age. Eds. Linnie Blake and Agnieszka Soltysik Monnet. Manchester: Manchester UP, 2017.

“Border Gothic: Gregory Nava’s Borderlands and the Dark Side of NAFTA.” Neoliberal Gothic: International Gothic in the Neoliberal Age. Eds. Linnie Blake and Agnieszka Soltysik Monnet. Manchester: Manchester UP, 2017.

“’His face ceased instantly to be a face’: Gothicism in Stephen Crane,” in Haunting Realities: Naturalist Gothic and American Realism. Eds. Monika Elbert and Wendy Ryden. University of Alabama Press, 2017.

“Gothic Literature in America: The Nobrow Aesthetics of Murder and Madness,” in When Highbrow Meets Lowbrow: Popular Culture and the Rise of Nobrow. Eds. Pete Swirski and Tero Vanhanen. Palgrave, 2017.

“Is There Such a Thing as an Antiwar Film?” Blackwell Wiley Companion to the War Film. Eds. Douglass Cunningham and John C. Nelson. May 2016. read the article

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American Horror: Origins and Early Trends. In: Aldana Reyes X. (eds.) Horror: A Literary History. The British Library, London, pp. 53-76, 08-2016. read the article

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“Gustav Hasford’s Gothic Poetics of Demystification.” War Gothic in Literature and Culture. Eds. Agnieszka Soltysik Monnet and Steffen Hantke. New York: Routledge, 2016. 22-38.

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“Ghosts from the Battlefield: A Short Historical Introduction to the War Gothic.” War Gothic in Literature and Culture. Eds. Agnieszka Soltysik Monnet and Steffen Hantke. New York: Routledge, 2016. 22-38.

“Masculinity and Nation in the Popular Fiction of the Spanish American War: Kirk Munroe’s Forward, March!Hungarian Journal of English and American Studies 22(1) 2016. 11-32.

“Transatlantic Gothic.” Handbook of Transantlantic North American Studies. Ed. Julia Straub. Peter Lang. April 2016.

“Le Slam à l’écran.” Slam: Des origines aux horizons. Ed. Camille Vorger. Lausanne: Editions d’en bas, 2015.

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“The Transnational Zombie: Postcolonial Memory and Rage in the Recent European Horror Film, ” Transnational Mediation: Negotiating Popular Culture Between the United States and Europe. Eds. Christof Decker & Astrid Böger. Heidelberg: Universitätsverlag Winter, 2015. 151-168 read the article

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“Night Vision in the Contemporary Horror Film.” Digital Gothic: Haunted Technologies, Network Panic and the Found Footage Phenomenon. London: I.B. Tauris, 2015: 123-136. read the article

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“Image and Narrative in the Post-9/11 Novel.” Review essay. Novel 48.1 (May 2015): 159-161.

“Political Emotions: Civil Religion and Melodrama in Spielberg’s Lincoln.” Emotion, Affect, Sentiment: The Language and Aesthetics of Feeling. Eds. Andreas Langlotz and Agnieszka Soltysik Monnet. Tübingen: Gunter Narr Verlag, 2014.

“Melodrama and Militarism: The Cultural Work of Combat Death,” Anglia: Journal of English Philology vol. 132 n. 2 (2014): 352-368.

“Anxiety Now.” Editorial essay for ASPEERS (Emerging Voices in American Studies) 7/2014: 67-72.

“Maxine Hong Kingston as Counterculture Writer,” On the Legacy of Maxine Hong Kingston: The Mulhouse Book. Ed. Sämi Ludwig, Nicoleta Alexoae-Zagn. Verlag, 2014.

“They Are Legend: The Popular American Gothic of Ambrose Bierce and Richard Matheson,” The Blackwell-Wiley Companion to the American Gothic, ed. Charles Crow. Blackwell-Wiley, 2013. link to article

“Black Like Me: Tropes of Racial Transformation in Contemporary Cinema.” Screening Cultural Diversity in the English-Speaking World and Beyond. Eds. Renée Dickason and Rüdiger Ahrens. Collection: “Anglo-amerikanische Studien / Anglo-American Studies” Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2013. link to essay

“Transnational War Gothic from the Civil War to World War One.” Transnational Gothic: Literary and Social Exchanges in the Long Nineteenth Century. Eds. Bridget Marshall & Monika Elbert. Ashgate, 2013. link to essay

“’I’ll Be Whatever Gotham Needs Me to Be’: Batman, the Gothic and Popular Culture.” The Gothic in Contemporary Literature and Popular Culture. Eds. A. Soltysik Monnet and Justin D. Edwards. New York: Routledge, 2012. link to article

“War and National Renewal: Civil Religion and Blood Sacrifice in American Culture.” European Journal of American Studies. 2012. Online journal.Link to article.

“Transnational Queer Literature of the (Other) Americas.” ALIF: Journal of Comparative Poetics 31 (2011): 35-62. read the article

“From the Body Electric to Dark Circuits of Desire: Transnational Queer Literature of the Americas.” (In Spanish) Disonancias interamericanas. Eds. Valeria Wagner and Jenaro Talens. Zurich. Georg Olms Verlag. 2011

“Poe’s Poor Devils.” After Satan: Essays in Honour of Neil Forsyth. Eds. Martine Hennard Dutheil and Kirstin Stirling. Newcastle: Cambridge Scholars Publishing, 2010. read the essay

“Louisa May Alcott: An Encounter Between Feminism and Queer Theory.” Writing American Women. SPELL 23. Eds. Thomas Austenfeld and Agnieszka Soltysik Monnet. Tübingen: Gunter Narr Verlag, 2008. link to essay

“Melodrama and the American Combat Film,” Passionate Politics: The Cultural Work of American Drama from the Early Republic to the Present. Edited by Ilka Saal and Ralph J. Poole. Newcastle, UK: Cambridge Scholars Publishing, 2008. link to essay

“Recovering ‘Covering End’: What Queer Theory Can Do for The Turn of the Screw,” Victorian Literature and Culture 36 (2008): 115-120.

“Edgar Allan Poe and Modernist Aesthetics,” SPELL 20. Ed. Deborah Madsen. Tübingen: Gunter Narr Verlag, 2007. link to essay

“A Secret About a Secret: The Relationship Between Caption and Photo in Diane Arbus,” The Seeming and the Seen (Festschrift for Peter Halter). Beverly Maeder, Ilona Sigrist, Jurg Schwyter, Boris Vejdovsky, eds. Peter Lang, 2006.

“The Uses of the American Gothic: The Politics of a Critical Term in Post-War American Literary Criticism.” Comparative American Studies 3.2 (2005).

“Evolutionary Narratives and American Ideological Tropes: The End of Progress.” SPELL: Swiss Papers in English Language and Literature. Ed. by Fritz Gysin. Tübingen: Gunter Narr Verlag, 1999.

“Gombrowicz’s Struggle With Heterosexual Form: From a National to a Performative Self.” Gombrowicz’s Grimaces: Modernism, Gender, Nationality. Ed. Ewa Ziarek. Buffalo: SUNY Press, 1998.