{"id":38,"date":"2010-09-23T22:35:07","date_gmt":"2010-09-23T20:35:07","guid":{"rendered":"http:\/\/people.unil.ch\/agnieszkasoltysikmonnet\/"},"modified":"2025-01-26T16:15:15","modified_gmt":"2025-01-26T15:15:15","slug":"ma-theses-recently-supervised","status":"publish","type":"page","link":"https:\/\/people.unil.ch\/agnieszkasoltysikmonnet\/ma-doctoral-supervision\/ma-theses-recently-supervised\/","title":{"rendered":"MA theses recently supervised"},"content":{"rendered":"\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2025 Gilles Binaghi, The Difference Between the Literary and the Cinematic Techniques to Create Terror in Stephen King\u2019s “Salem\u2019s Lot”, “Pet Sematary” and “Misery”.<\/p>\n

2024 Jessica Nicolosi, Within the Walls of the Dream House : Genre and Structure to Articulate Trauma in Carmen Maria Machado\u2019s In the Dream House<\/em> and \u201cMothers\u201d’<\/p>\n

2024 Dominique Castillo Tierney, Beyond the Surface: Unveiling the Intangible Impact of Discrimination on African Americans Throughout History<\/p>\n

2024 William Flores, “Sleeper Train Lovers”. An Attempt at Writing Solarpunk Fiction in a Time of Monsters<\/p>\n

2024 Annette Motta, PRIMITIVE PRESENT: RECONNECTING THE SELF TO THE NATURAL WORLD TO DEVELOP AN ECOLOGICAL CONSCIOUSNESS AND ENACT CHANGE THROUGH THE WORKS OF JACK KEROUAC, GARY SNYDER AND ERNEST CALLENBACH.<\/p>\n

2024 Furaha-Pehoua Mujynya, Spider-Web Narratives: A Japanese Uncanny”. The Intertwining of Short Stories in a Cycle as a Mirror of Japanese Urban Society.<\/p>\n

2024 Lia Asper, Exploring Black Female Sexuality and Identity: A Comparison Between “Their Eyes Were Watching God” (1937) and “She\u2019s Gotta Have It” (1986\/2017-2019)<\/p>\n

2024 Linda Perez Cortes, TV Series and African American Gay Characters in the #BLM and Marriage-for-all Era: “Empire” (2015-2020) and “Dear White People” (2017-2021).<\/p>\n

2024 Noreen Bourquin, Governmental Manipulations and Psychological Influences in Suzanne Collins\u2019s “The Ballad of Songbirds and Snakes” and “The Hunger Games”.<\/p>\n

2024 Amine Amairi, Technophilia and Fantasy in Solarpunk Short Stories.<\/p>\n

2024 Julie Bubloz, \u201cCool Girls Never Get Angry\u201d. The Femme Fatale Archetype and its Critical Reception in Gillian Flynn\u2019s “Gone Girl” and its Adaptation.<\/p>\n

2024 Chlo\u00e9 Gedet, Beyond Denial: Post-Apocalyptic Ecofictions Amid the Climate
Emergency. A Complementary Study of Antoinette Rychner\u2019s “Apr\u00e8s le monde” and Margaret Atwood\u2019s “MaddAddam”.<\/p>\n

2024 Aline Romy, \u201cA UNIVERSAL STORY THROUGH A LATINO LENS\u201d. “ONE DAY AT A TIME” AND THE USE OF INTERGENERATIONAL PERSPECTIVES FOR AUTHENTIC LATINX REPRESENTATION.<\/p>\n

2024 No\u00eblle von Siebenthal, “Our Writing Belongs to Us. Anarcha-feminist Visions of Social Change and Literary Praxes.”<\/p>\n

2023 Lisa Wulf, \u00a0Perpetuating Shadows: Unveiling the Vicious Cycle of Racism in Toni Morrison\u2019s “The Bluest Eye” (1970), “Jazz” (1993), and “God Help the Child” (2015).<\/p>\n

2023 Senan Maloney Lawless, Secular Spirituality and Science Fiction: Developing spiritual maturity through explorations of the divine in the works of Olaf Stapledon and Octavia E. Butler.<\/p>\n

2023 Lo\u00efc Batista Lugeon, “N\u00e9gritude” and unveiling in French rap: How Francophone Afrodescendant rappers fight racism and empower their Black audiences.<\/p>\n

2023 Fanny Montet, Racism and Eugenics in Kate Chopin\u2019s “The Awakening” and Charlotte Perkins Gilman\u2019s “Herland”<\/p>\n

2023 Hakim L\u00e9o Sahal, How to Write a Novel Accidentally : The Effects and Relevance of Jack Kerouac\u2019s Spontaneous Prose.<\/p>\n

2023 Diandra Severino, “Is That You John Wayne? Is This Me?”. The treatment of Military Masculinity during the Vietnam War in Gustav Hasford\u2019s “The Short-Timer” and The Phantom Blooper, and Ron Kovic\u2019s “Born on the Fourth of July”.<\/p>\n

2023 Rebeca Negash, The Role of The Author and The Filmmaker in Creating an Oppositional Gaze”: An Analysis of Rivers Solomon\u2019s <\/em>The Deep and Ryan Coogler\u2019s <\/em>Black Panther: Wakanda Forever<\/p>\n

2023 \u00a0Alicia Fabbri, Gender and Poetry: Writing the Body, Sexuality, and Motherhood by Maggie Nelson, Audre Lorde, and Adrienne Rich.<\/em><\/p>\n

2023 \u00a0Mathilde Fragni\u00e8re, Narratives of the Future(s): Rewriting the Ideology of Progress in Solarpunk Short Stories.<\/em><\/p>\n

2023 \u00a0Sophie K\u00fcnzi, “I Can’t Breathe”: Exploring Systemic Racism and the Struggle of Identity Formation in Ralph Ellison’s <\/em>Invisible Man<\/p>\n

2022 \u00a0 Melo\u00e9e Girardin, Don’t Turn a Blind Eye to Racial Injustice: The Depiction of Pain, Resilience and Ethical Loneliness in Claudia Rankine and Toni Morrison<\/em><\/p>\n

2022. Ivana Erard, The Many Faces of the New Lilith: Transforming Fear and Desire in Modern Media.<\/em><\/p>\n

2022 Lucien Baroni, Welcome to The Good Land : Narrating the New Countryside in Three Contemporary North American Memoirs of Rural Migration.<\/em><\/p>\n

2022 \u00a0Marine Bart, What Is Hiding Behind Gender Norms: Deconstructing the Patriarchal Facade in Nigeria in “Half of a Yellow Sun” by Chimamanda Ngozi Adichie and “The Secret Lives of Baba Segi’s Wives” by Lola Shoneyin.<\/em><\/p>\n

2022 Neves Fetal Da Silva Angela, Up and Down the Rabbit-Hole of the Environmentalism: Alice’s Wonderings and Wanderings as Models for Environmental Justice and Agency.<\/em><\/p>\n

2022 L\u00e9a Neveu, Zoe Whittall’s <\/em>Bottle Rocket Hearts: A Queer Bildungsroman Writing for Social Change.<\/em><\/p>\n

2022 Mubina Mehmedovic, \u00a0Victim Narratives and Historical Fiction Written by Foreigners: Experiencing the Bosnian War in Steven Galloway’s <\/em>The Cellist of Sarajevo and Angelina Jolie’s <\/em>In the Land of Blood and Honey<\/p>\n

2022 Vanessa Colella, Feminist and Controversial Themes in Louisa May<\/em> Alcott’s Little Women: From the Novel, to Online Reception and Gerwig’s Movie Adaptation.<\/em><\/p>\n

2021 Roxane Cervellin, “Redefining National Identities and Illustrating Erasure”. A Political Reenactment of Indigenous Identities in Australian Graphic Novels.<\/em><\/p>\n

2021 Elsa Maeder, \u00a0Rhetorics of Opposition: 1960s and 1970s Counterculture Revived in 21st Century Environmental Movements.<\/em><\/p>\n

2021 Nicolas Caminada,\u00a0The Myth of the Frontier: Discourse, Ideology and National Myths<\/em><\/p>\n

2021 Laeticia Clavien, Learning About the Constructivism of Gender in Margaret Atwood’s<\/em>
The Handmaid’s Tale and <\/em>The Testaments<\/p>\n

2020 Jonathan Coll\u00e9, Power Relationships in Science Fiction: \u00a0A Distorted Mirror<\/em><\/p>\n

2020 Ivano Terzaghi, American Mythology and Sports. Why American Football Has Become the US’ Favorite Sport<\/em><\/p>\n

2019 \u00a0Caroline Altevogt,\u00a0The Representation of Journalism in <\/em>The Newsroom\u00a0by Aaron Sorkin<\/em><\/p>\n

2019 \u00a0 Ella Stornetta,\u00a0Tropes of Race and Gender in African American Science Fiction: A Study of Octavia E. Butler’s Xenogenesis Trilogy<\/em><\/p>\n

2019 \u00a0 Eug\u00e9nie Ribeiro, Queer Madness in Charlotte Perkins Gilman’s “<\/em>The Yellow Wallpaper“, Shirley Jackson’s “<\/em>The Haunting of Hill House” and Darren Aronofsky’s “<\/em>Black Swan“<\/em><\/p>\n

2018 \u00a0 Elizabeth Watson, Ecotopia Revitalized: Imagining our Way to a Sustainable Future.<\/em><\/p>\n

2018 \u00a0 Samantha Meyer, Myths, Identity and Ideology in African American Literature : Defining Blackness from Douglass to Coates.<\/em><\/p>\n

2018 \u00a0 Katia Behn, Acting Black, Acting White : Race, Class, and Authencity in “Dear White People”<\/em><\/p>\n

2018\u00a0\u00a0 Joelle Morard, Peace in the Holy Land: The Dream is Still Alive, Memoirs by an Israeli and a Palestinian Peace Activist<\/em><\/p>\n

2017 \u00a0 Chapalay, Justine. Pictures\u00a0 Are\u00a0 Deceiving\u00a0 and\u00a0 We\u00a0 Wanted\u00a0 to\u00a0 Be\u00a0 Deceived\u201d\u00a0 :\u00a0 Cross-Dressing\u00a0 Gender\u00a0 in\u00a0 Contemporary\u00a0 Queer\u00a0 Photography<\/em><\/p>\n

2017\u00a0\u00a0 Elena Kleczynski, A Journey Towards the Self: The Construction of the Black Woman\u2019s Identity between Failure and Success in Nella Larsen’s <\/em>Quicksand and Zora Neale Hurston’s <\/em>Their Eyes Were Watching God<\/p>\n

2017\u00a0\u00a0 Ana Gomes Correia,“I am how they trained me”: Military Identity, Masculinity, and the Threat of Femininity in The Short-Timers by Gustav Hasford and Buffy the Vampire Slayer by Joss Whedon<\/em><\/p>\n

Zosso, Frank. Drawing\u00a0 the\u00a0 Reader\u00a0 in:\u00a0 Subitizing\u00a0 Presence\u00a0 and\u00a0 Absence\u00a0 Within\u00a0 and\u00a0 With(out)\u00a0 the\u00a0 Text\u00a0 in\u00a0 Danielewski’s\u00a0 House\u00a0 of\u00a0 Leaves<\/em><\/p>\n\n\n\n
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2017\u00a0\u00a0 Anastasiia Gubko, Femininity and Insanity: The Representation of Female Madness in Charlotte Perkins Gilman’s “The Yellow Wallpaper”, Sylvia Plath’s <\/em>The Bell Jar and Susanna Kaysen’s<\/em> Girl, Interrupted<\/p>\n

2017\u00a0 Cl\u00e9mence Tardent, “We Must and We Will Remain Vigilant” : The Representation of the Middle East, Arabs and Terrorism in <\/em>Homeland‘s Fifth Season<\/em><\/p>\n

2017\u00a0\u00a0 Claudia Nazroo, Framing the ” Muslimwoman” into the American Coming-of-Age: A comparative Reading of Ayaan Hirsi Ali’s <\/em>Nomad: From Islam to America a Journey through the Clash of Civilizations and Mohja Kahf’s <\/em>The Girl in the Tangerine Scarf : a Novel<\/p>\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2017\u00a0 Gaelle Ramet, “Wanted for the U.S.M.C.” : Marine Corps Propaganda on Facebook<\/p>\n

2016\u00a0\u00a0 Aur\u00e9lien Tille, “The Figurative Power of Science Fiction: the Vietnam War in Joe Haldeman’s The Forever War<\/em>“<\/p>\n

2016\u00a0\u00a0 Elsa Delacr\u00e9taz, “Graphic Memoirs and Vivid Characters : A Comparative Analysis of Alison Bechdel’s Are You My Mother ?<\/em> and Nicole J. Georges’s Calling Dr Laura”<\/em><\/p>\n\n\n\n
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2016\u00a0\u00a0 Florian Carreaux, “The Dynamics of Dysfunctional Families Exposed: Putting Childhood Trauma into Words as a Way to Break the Cycle of Self-Destructive Behavior in Pat Conroy’s Works”<\/p>\n

2016 \u00a0 Julien Godinat, “Proud, gentle, fearless, ruthless, and painfully polite”: The Vietnamese as an alternative to American culture in Gustav Hasford’s <\/em>The Short-Timers and <\/em>The Phantom Blooper<\/p>\n

2015 \u00a0Anas Sareen,\u00a0Indefinite Sovereignty : Empire, Captivity and Narratives of Sovereign Power <\/em>(co-supervised with Val\u00e9rie Cossy)<\/p>\n

2015 \u00a0 \u00a0Yannick Weber,\u00a0Ideology and American Empire: Narrating 9\/11 and the War on Terror in Speeches by George W. Bush and Barack Obama<\/em><\/p>\n

2015 \u00a0 \u00a0Alexa Pittet,\u00a0The Humor of War: Black Humor in American Literature<\/em><\/p>\n

2015 \u00a0 \u00a0Raphael Meyer,\u00a0Following Movement. A Comparative Analysis on the Motives and the Implications of Movement in “Adventures of Huckleberry Finn”, “On the Road” and “Into the Wild”<\/em><\/p>\n

2015 \u00a0 \u00a0Luca Bianchetti,\u00a0The Beast Within: The Werewolf in Contemporary Literature<\/em><\/p>\n

2015 \u00a0 \u00a0Yassin Megzari,\u00a0Crossing Boundaries in the Fiction of Iceberg Slim<\/em><\/p>\n

2014\u00a0\u00a0\u00a0 Virginie H\u00e9ritier, Sexuality, Oppression and Emancipation in Jacobs and Hurston: Towards a New Definition of Womanhood<\/em><\/p>\n

2014\u00a0\u00a0\u00a0 Vincent Bolomey, Between Concrete and Streetlights: Urban Sprawl and the Hip Hop Revolution<\/em><\/p>\n

2014\u00a0\u00a0 Audrey Loetscher, Writing the Nation: American Presidential Speeches, or, Mythic Discourse on the Vietnam and Iraq Wars<\/em><\/p>\n

2014\u00a0\u00a0 Isabelle Wenger, A Story of Ice and Fire, a Feminist Series?<\/em><\/p>\n

2104\u00a0\u00a0\u00a0 C\u00e9line Matthey, Caribbean writers in the US: new writings of immigration in Junot D\u00edaz’s<\/em> Brief and Wondrous life of Oscar Wao, Edwidge Danticat’s<\/em> Dew Breaker<\/em> and Cristina Garc\u00eda’s<\/em> Dreaming in Cuban<\/p>\n

2014\u00a0\u00a0\u00a0 Edwards, Harley, Gustav Hasford’s ‘Vietnam Novels’ : An Ecocritical Approach.<\/em><\/p>\n

2014\u00a0\u00a0\u00a0 Ingargiola, Jonathan, Reading Gustav Hasford: Putting Your Beliefs into the Meat Grinder<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0 Lilijan Teofanovic, Orientalism and Denial in the Literature of the Vietnam and Iraq Wars<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 Silvia Buta, The Beats and Buddhism: A Historical and Literary Analysis. A Study of the Works of Lenore Kandel, Joanne Kyger, and Gary Snyder<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 Virginie Germanier, The Representation of the Southern Belle in Margaret Mitchell’s Gone With the Wing and Ellen Glasgow’s The Battle-Ground<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 Maha Tazi, Contemporary Representations of Female Adoptees in American Literature<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Auria Burkhalter, Reality TV and Governmental Control in The Hunger Games Trilogy: “Dystopia as Social Critique?”<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Karim Zegwaart Khouw, They’re Us: The Sympathetic Walking Dead in a Post-9\/11 Zombie Renaissance.<\/em><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 James Dawson, Alienation in David Foster Wallace’s<\/em> Infinite Jest<\/p>\n

2013 \u00a0\u00a0\u00a0\u00a0\u00a0 Mathieu Beney, Contemporary Satire in Chuck Palahniuk’s <\/em>Fight Club and <\/em>Haunted and David Fincher’s <\/em>Fight Club.<\/p>\n

2013 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stephanie Arrowood, Circles Within Circles : An Ecocritical Examination of Nature, Self, and Story in Selected Texts By Linda Hogan, Louise Erdrich, and Leslie Marmon Silko.<\/em><\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e9cile Heim, Liberating the Oppressed : Four Aboriginal Plays in Movement<\/em><\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eveline Sidler, Integrating the Past into the Present. The Importance of Ghosts in African American Literature of the Late 20th Century.<\/em><\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fabiana Palmoso. Transgressing Disability: The Body and the Text, A Comparative Analysis of Anne Finger and Nancy Mairs<\/em><\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Janaine Corboz. Hip-hop Culture and the Civil Rights Movements. Music and Dance take up the Struggle<\/em><\/p>\n

2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Romaine Hunkeler. The Chicano Bildungsroman<\/em><\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Roxane M\u00e9rot. Cultural Hybridity: Contradictions, Paradoxes and Tensions in Jade Snow Wong’s Literary and Artistic Works<\/em>.<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am\u00e9lie Chappuis. The Representation of Women in Classical Hollywood Cinema:\u00a0 Joseph Mankiewicz’s <\/em>The Ghost and Mrs. Muir, <\/em>A Letter to Three Wives and <\/em>All \u00a0 About Eve.<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e9line Bornet. Living on the Edge: Marginal Characters in the Work of Toni Morrison.<\/em><\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e9cile Gretsch. Heteronormativity and the queer space of the fashion magazine:\u00a0 The representation of gender and sexuality in two fashion magazines, <\/em>WAD and Vs.<\/em><\/p>\n

2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Baptiste Torriani. The Living Human Curiosity Sideshow: Figurative Speech in Aesop Rock’s Songs.<\/em><\/p>\n

2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marie Pedroni. Long Spoons and Happy People: Re-imagining Society in Barbara Kingsolver’s <\/em>The Bean Trees and <\/em>Pigs in Heaven.<\/p>\n

2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aleksandra Juszczyk. “I’ll Never Be Hungry Again!”: The Representation of Food in Southern Literature Illustrated by Kate Chopin’s <\/em>The Awakening, Margaret Mitchell’s <\/em>Gone With the Wind and Eudora Welty’s <\/em>Delta Wedding. <\/em><\/p>\n

2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Delphine Jeanneret. Narrative Experimentation in Post-Postmodernism: Studies of Short Stories by David Foster Wallace and Lydia Davis.<\/em><\/p>\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 2025 Gilles Binaghi, The Difference Between the Literary and the Cinematic Techniques to Create Terror in Stephen King\u2019s “Salem\u2019s Lot”, “Pet Sematary” and “Misery”. 2024 Jessica Nicolosi, Within the Walls of the Dream House : Genre and Structure to Articulate Trauma in Carmen Maria Machado\u2019s In the Dream House and \u201cMothers\u201d’ 2024 Dominique … <\/p>\n

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