![\"9781526191724\"](\"https:\/\/people.unil.ch\/agnieszkasoltysikmonnet\/files\/2025\/07\/9781526191724-1.jpg\")
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\u201cFrom Poe to\u00a0Poultrygeist<\/u><\/em>: Animals, Irony and the American Plantationocene.\u201d\u00a0Gothic Studies\u00a0<\/em>27.2 (21 July 2025): https:\/\/www.euppublishing.com\/doi\/10.3366\/gothic.2025.0229 <\/p>\n\n\n\n \u201cEcogothic Meets Religious Horror in M. Night Shyamalan\u2019s The Happening.<\/em>\u201d Religious Horror and the Ecogothic. <\/em>Eds. Kathleen Hudson and Mary Going. Lexington Books, 2024. 201-216.<\/p>\n\n\n\n \u201cGlobalgothic and War.\u201d The Edinburgh Companion to Globalgothic. <\/em>Ed. By Rebecca Duncan. Edinburgh UP, 2023. https:\/\/www.cambridge.org\/core\/books\/abs\/edinburgh-companion-to-globalgothic\/globalgothic-and-war\/93A3AB45E530379A0EF97B2A1D523C42#access-block<\/a> <\/p>\n\n\n\n “Ecology and Literature: From Fear to Hope in Stories about Social Change, the Climate Crisis and Consumption.” Vers une consummation durable: R\u00e9flexions crois\u00e9es des sciences humaines and Sociales<\/em>. Swiss Academic Communications. Vol 18, Nr. 5 (2023): 161-167. <\/p>\n\n\n\n Co-author, with Christian Arnsperger, “Envisioning the Ecological Future: Three Perspectives Off the Beaten Track.” Text Matters: A Journal of Literature, Culture and Theory <\/em>13 (Nov. 2023). Read here.<\/a> <\/p>\n\n\n\n Co-author, with Christian Arnsperger, “Introduction” to “The Ecological Future,” Special Issue of Text Matters: A Journal of Literature, Culture and Theory. Read here. <\/a><\/p>\n\n\n\n <\/p>\n\n\n\n “Monstrous Bodies of the American Gothic.” The Cambridge Companion to American Literature and the Body. <\/em>Edited by Travis M. Foster. Cambridge UP, 2022. <\/p>\n\n\n\n <\/p>\n\n\n\n \u201cHaunted Nature, Haunted Humans\u201d: Intelligent Trees, Gaia and the Apocalypse Meme.\u201d Haunted Nature: Entanglements of the Human and Non-Human. <\/em>Edited by Sladja Blazan. Springer Nature Switzerland, 2021. <\/p>\n\n\n\n “War Gothic, 1930-1992.” The Cambridge Companion to the Gothic, Volume III: The Gothic in the 20th and 21st Centuries.<\/em> Eds. Angela Wright, Dale Townshend and Catherine Spooner. Cambridge University Press, 2022. <\/p>\n\n\n\n \u201cTwentieth-Century War Gothic.\u201d Twentieth-Century Gothic: An Edinburgh Companion.<\/em> Edited by Sorcha N\u00ed Fhlainn. Edinburgh UP, 2022.<\/p>\n “Lions for Lambs<\/em>: Ambivalent Memorialisation and Melodrama.”\u00a0Hollywood Remembrance and American War.\u00a0<\/em>Eds. Andrew Rayment and Paul Nadasy. New York: Routledge, 2020. 67-82. Read draft of article:\u00a0Lions for Lambs April 17<\/a><\/p>\n Review essay: Jonathan Vincent, The Health of the State: Modern US War Narrative and the American Political Imagination, 1890\u20131964 (Oxford: Oxford University Press, 2017, \u00a362.00). Journal of American Studies 08\/2019; 53(03):852-853.<\/a><\/p>\n “American War Violence and the Generic Pleasures of Military Violence: Clint Eastwood’s American Sniper<\/em>.” The Journal of Popular Culture<\/em>. Eds. Agnieszka Soltysik Monnet and Johan Hoglund. Volume 51, Issue 6 (December 1918): 1376-1397.\u00a0Monnet-2018-The_Journal_of_Popular_Culture<\/a><\/p>\n “Revisiting Adventure: Special Issue Introduction.” Co-authored with Johan Hoglund.\u00a0The Journal of Popular Culture<\/em>. Eds. Agnieszka Soltysik Monnet and Johan Hoglund. Volume 51, Issue 6 (December 2018): 1299-1311.\u00a0H-glund_et_al-2018-The_Journal_of_Popular_Culture<\/a><\/p>\n “‘The Fall of the House of Usher’ and the Architecture of Unreliability.” The Oxford Handbook of Edgar Allan Poe. <\/em>Eds. J. Gerald Kennedy and Scott Peeples. Oxford: Oxford UP, 2018. link<\/a><\/p>\n “The American Woman Warrior: A Transnational Feminist Look at War, Imperialism and Gender.” WiN: The EAAS Women’s Network Journal <\/em>Issue 1 (2018): 1-21. Read the article<\/a><\/p>\n “All is Connected to All (Beyond Normative Perception): Maxine Hong Kingston and the Psychedelic Politics of the Counterculture,\u201d\u00a0The Pharmakon:\u00a0Concept Figure, Image of Transgression, Poetic Practice,\u00a0<\/em>ed. Hermann Herlinghaus (Heidelberg University Press, 2018). Pharmakon essay on Kingston<\/a><\/p>\n “American Gothic: Killers, Conmen and History as Crime (Robert Bloch’s novel American Gothic<\/em>),\u201d The Gothic: A Reader<\/i>, ed. Simon Bacon (Peter Lang, 2018). link to article <\/a><\/p>\n \u201cFrom Brook Farm to Burning Man: Alternative Communities in the United States.\u201d American Communities: Between the Popular and the Political.<\/em> SPELL 35. Eds. Lukas Etter and Julia Straub. T\u00fcbungen: Narr Verlag, 2017. From_Brook_Farm_to_Burning_Man_Alternati<\/a><\/p>\n \u201cIntroduction: neoliberal gothic.\u201d Co-written with Linnie Blake. Neoliberal Gothic: International Gothic in the Neoliberal Age.<\/em> Eds. Linnie Blake and Agnieszka Soltysik Monnet. Manchester: Manchester UP, 2017. NeoliberalGothic_Intro_Blake<\/a><\/p>\n \u201cBorder Gothic: Gregory Nava\u2019s Borderlands <\/em>and the Dark Side of NAFTA.\u201d Neoliberal Gothic: International Gothic in the Neoliberal Age.<\/em> Eds. Linnie Blake and Agnieszka Soltysik Monnet. Manchester: Manchester UP, 2017. Border_Gothic_Gregory_Nava_s_Bordertown<\/a><\/p>\n \u201c’His face ceased instantly to be a face’: Gothicism in Stephen Crane,” in Haunting Realities: Naturalist Gothic and American Realism<\/em>. Eds. Monika Elbert and Wendy Ryden. University of Alabama Press, 2017.<\/p>\n “Gothic Literature in America: The Nobrow Aesthetics of Murder and Madness,” in When Highbrow Meets Lowbrow: Popular Culture and the Rise of Nobrow. <\/em>Eds. Pete Swirski and Tero Vanhanen. New York: Palgrave, 2017.<\/p>\n “Is There Such a Thing as an Antiwar Film?”\u00a0Blackwell Wiley Companion to the War Film.\u00a0<\/em>Eds. Douglass Cunningham and John C. Nelson. May 2016. read the article <\/a><\/p>\n American Horror: Origins and Early Trends. In: Aldana Reyes X. (eds.) Horror: A Literary History<\/em>. The British Library, London, pp.\u00a053-76, 08-2016. read the article<\/a><\/p>\n \u201cGustav Hasford\u2019s Gothic Poetics of Demystification.\u201d War Gothic in Literature and Culture. <\/em>Eds. Agnieszka Soltysik Monnet and Steffen Hantke.\u00a0 New York: Routledge, 2016. 22-38. Link to essay <\/a><\/p>\n \u201cGhosts from the Battlefield: A Short Historical Introduction to the War Gothic.\u201d War Gothic in Literature and Culture. <\/em>Eds. Agnieszka Soltysik Monnet and Steffen Hantke.\u00a0 New York: Routledge, 2016. 22-38.<\/p>\n \u201cMasculinity and Nation in the Popular Fiction of the Spanish American War: Kirk Munroe’s Forward, March!<\/em>\u201d Hungarian Journal of English and American Studies<\/em> 22(1) 2016. 11-32. Link to essay<\/a><\/p>\n “Jim Crow Gothic: Richard Wright’s Southern Nightmare.”<\/a>The Palgrave Handbook to Southern Gothic. Edited by Susan Castillo and Charles Crow. 2016. read the essay <\/a><\/p>\n \u201cTransatlantic Gothic.\u201d Handbook of Transantlantic North American Studies<\/em>. Ed. Julia Straub. Peter Lang. April 2016. 2016 Transatlantic Gothic <\/a><\/p>\n “Le Slam \u00e0 l’\u00e9cran.” Slam: Des origines aux horizons. <\/em>Ed. Camille Vorger. Lausanne: Editions d’en bas, 2015.<\/p>\n “The Transnational Zombie: Postcolonial Memory and Rage in the Recent European Horror Film, ”\u00a0Transnational Mediation: Negotiating Popular Culture Between the United States and Europe<\/em>. Eds. Christof Decker\u00a0&\u00a0Astrid B\u00f6ger.\u00a0Heidelberg: Universit\u00e4tsverlag Winter, 2015. 151-168 read the article <\/a><\/p>\n <\/p>\n “Night Vision in the Contemporary Horror Film.”\u00a0Digital Gothic: Haunted Technologies, Network Panic and the Found Footage Phenomenon.\u00a0<\/em>London: I.B. Tauris, 2015: 123-136. read the article<\/a><\/p>\n “Image and Narrative in the Post-9\/11 Novel.” Review essay.\u00a0Novel\u00a0<\/em>48.1 (May 2015): 159-161.<\/p>\n “Introduction,” The Gothic in an Age of Terror(ism). <\/em>Eds. Marie Lienard-Yeterian and Agnieszka Soltysik Monnet. Special issue of\u00a0Gothic Studies <\/em>17.3 (Manchester: Manchester University Press, 2015).<\/p>\n “Body qenres, night vision and the female monster: REC<\/em> and the contemporary horror film.”\u00a0Monstrous Media\/Spectral Subjects<\/em>: Imaging Gothic from the 19th Century to the Present.\u00a0<\/em>Eds. Fred Botting and Catherine Spooner. Manchester UP, 2015. 2015 Night Vision in the Contempoary Horror Film<\/a><\/p>\n “Political Emotions: Civil Religion and Melodrama in Spielberg’s\u00a0Lincoln.”\u00a0Emotion, Affect, Sentiment: The Language and Aesthetics of Feeling<\/em>. Eds. Andreas Langlotz and Agnieszka Soltysik Monnet.\u00a0T\u00fcbingen: Gunter Narr Verlag, 2014. Lincoln essay<\/a><\/p>\n “Melodrama and Militarism: The Cultural Work of Combat Death,”<\/a>\u00a0Anglia: Journal of English Philology\u00a0<\/em>vol. 132 n. 2 (2014): 352-368.<\/p>\n “Anxiety Now.” Editorial essay for ASPEERS (Emerging Voices in American Studies) 7\/2014: 67-72.<\/a>“<\/p>\n “Maxine Hong Kingston as Counterculture Writer,” On the Legacy of Maxine Hong Kingston: The Mulhouse Book.<\/em> Ed. S\u00e4mi Ludwig, Nicoleta Alexoae-Zagn. Verlag, 2014. link to essay <\/a><\/p>\n “They Are Legend: The Popular American Gothic of Ambrose Bierce and Richard Matheson,” The Blackwell-Wiley Companion to the American Gothic<\/a><\/em>, ed. Charles Crow. Blackwell-Wiley, 2013. link to article<\/a><\/p>\n \u201cBlack Like Me: Tropes of Racial Transformation in Contemporary Cinema.\u201d Screening Cultural Diversity in the English-Speaking World and Beyond<\/a><\/em>.\u00a0\u00a0 Eds. Ren\u00e9e Dickason and R\u00fcdiger Ahrens. Collection: \u201cAnglo-amerikanische Studien \/ Anglo-American Studies\u201d Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2013. link to essay<\/a><\/p>\n \u201cTransnational War Gothic from the Civil War to World War One.\u201d\u00a0Transnational Gothic: Literary and Social Exchanges in the Long Nineteenth Century<\/i>. Eds. Bridget Marshall & Monika Elbert. Ashgate, 2013.\u00a0 link to essay<\/a><\/p>\n \u201c\u2019I\u2019ll Be Whatever Gotham Needs Me to Be\u2019: Batman, the Gothic and Popular Culture.\u201d The Gothic in Contemporary Literature and Popular Culture<\/em>. Eds. A. Soltysik Monnet and Justin D. Edwards. New York: Routledge, 2012. link to article<\/a><\/p>\n “War and National Renewal: Civil Religion and Blood Sacrifice in American Culture.” European Journal of American Studies.<\/em> 2012. Online journal.Link to article.<\/a><\/p>\n \u201cTransnational Queer Literature of the (Other) Americas.\u201d ALIF<\/a>:\u00a0Journal of Comparative Poetics 31 (2011): 35-62. read the article<\/a><\/p>\n \u201cFrom the Body Electric to Dark Circuits of Desire: Transnational Queer Literature of the Americas.\u201d (In Spanish) Disonancias interamericanas<\/em>. Eds. Valeria Wagner and Jenaro Talens.\u00a0 Zurich. Georg Olms Verlag. 2011 \u201cPoe\u2019s Poor Devils.\u201d After Satan: Essays in Honour of Neil Forsyth<\/em>.<\/em> Eds. Martine Hennard Dutheil and Kirstin Stirling.\u00a0 Newcastle: Cambridge Scholars Publishing, 2010. 2010 Poe’s Poor Devils<\/a>\u00a0<\/p>\n \u201cLouisa May Alcott: An Encounter Between Feminism and Queer Theory.\u201d Writing \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 American Women<\/em>. SPELL 23. Eds. Thomas Austenfeld and Agnieszka Soltysik \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Monnet. T\u00fcbingen: Gunter Narr Verlag, 2008. link to essay<\/a><\/p>\n \u201cMelodrama and the American Combat Film,\u201d Passionate Politics: The Cultural Work of American Drama from the Early Republic to the Present.<\/em> Edited by Ilka Saal and Ralph J. Poole. Newcastle, UK: Cambridge Scholars Publishing, 2008. link to essay<\/a><\/p>\n \u201cRecovering \u2018Covering End\u2019: What Queer Theory Can Do for The Turn of the Screw<\/em>,\u201d Victorian Literature and Culture <\/em>36 (2008): 115-120. Link to essay<\/a><\/p>\n \u201cEdgar Allan Poe and Modernist Aesthetics,\u201d SPELL <\/em>20. Ed. Deborah Madsen. T\u00fcbingen: Gunter Narr Verlag, 2007. link to essay<\/a><\/p>\n \u201cA Secret About a Secret: The Relationship Between Caption and Photo in Diane Arbus,\u201d The Seeming and the Seen<\/em> (Festschrift for Peter Halter). Beverly Maeder, Ilona Sigrist, Jurg Schwyter, Boris Vejdovsky, eds. Peter Lang, 2006. Read the essay<\/a><\/p>\n \u201cThe Uses of the American Gothic: The Politics of a Critical Term in Post-War American Literary Criticism.\u201d Comparative American Studies<\/em> 3.2 (2005).READ THE ESSAY <\/a><\/p>\n \u201cEvolutionary Narratives and American Ideological Tropes: The End of Progress.\u201d SPELL: Swiss Papers in English Language and Literature<\/em>. Ed. by Fritz Gysin. T\u00fcbingen: Gunter Narr Verlag, 1999. Read the essay <\/a><\/p>\n \u201cGombrowicz\u2019s Struggle With Heterosexual Form: From a National to a Performative Self.\u201d Gombrowicz\u2019s Grimaces: Modernism, Gender, Nationality<\/em>. Ed. Ewa Ziarek. Buffalo: SUNY Press, 1998. 1998 Gombrowicz<\/a><\/p>\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" “Ambivalent eco-Gothic in three 2020-21 films.” The Gothic in Times of Crisis. Ed. John Whately. Manchester University Press. 2025. \u201cFrom Poe to\u00a0Poultrygeist: Animals, Irony and the American Plantationocene.\u201d\u00a0Gothic Studies\u00a027.2 (21 July 2025): https:\/\/www.euppublishing.com\/doi\/10.3366\/gothic.2025.0229 \u201cEcogothic Meets Religious Horror in M. Night Shyamalan\u2019s The Happening.\u201d Religious Horror and the Ecogothic. Eds. Kathleen Hudson and Mary Going. Lexington Books, 2024. 201-216. \u201cGlobalgothic … <\/p>\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
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