{"id":276,"date":"2019-05-29T22:07:51","date_gmt":"2019-05-29T20:07:51","guid":{"rendered":"http:\/\/people.unil.ch\/annekatrinweber\/?p=276"},"modified":"2023-01-31T16:13:40","modified_gmt":"2023-01-31T15:13:40","slug":"nouvelle-publication-television-as-new-media-raymond-millets-television-oeil-de-demain-1947-and-the-politics-of-french-experimental-tv","status":"publish","type":"post","link":"https:\/\/people.unil.ch\/annekatrinweber\/2019\/05\/nouvelle-publication-television-as-new-media-raymond-millets-television-oeil-de-demain-1947-and-the-politics-of-french-experimental-tv\/","title":{"rendered":"Nouvelle publication: Television as new media: Raymond-Millet\u2019s \u2018T\u00e9l\u00e9vision: Oeil de Demain\u2019 (1947) and the politics of French experimental TV"},"content":{"rendered":"

This paper analyses the meaning of newness in television history by focusing on the French film T\u00e9l\u00e9vision: Oeil de demain (J. K. Raymond-Millet, 1947). It argues that the film\u2019s futurist depiction of television veils the medium\u2019s longue dur\u00e9e, and exemplifies a discursive strategy to conceal most recent technological and institutional developments, in particular those linking French television to National-Socialist occupation. The novelty discourse is instrumental to mask the many continuities between the National-Socialist Fernsehsender Paris and postwar French television, and helps to conceive of television as new media unburdened by recent history.<\/p>\n

NECSUS. Journal of European Media Studies, Spring 2019<\/a>\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

This paper analyses the meaning of newness in television history by focusing on the French film T\u00e9l\u00e9vision: Oeil de demain (J. K. Raymond-Millet, 1947). It argues that the film\u2019s futurist depiction of television veils the medium\u2019s longue dur\u00e9e, and exemplifies<\/p>\n","protected":false},"author":1001077,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-276","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized"},"_links":{"self":[{"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/posts\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/users\/1001077"}],"replies":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":0,"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/posts\/276\/revisions"}],"wp:attachment":[{"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/media?parent=276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/categories?post=276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/people.unil.ch\/annekatrinweber\/wp-json\/wp\/v2\/tags?post=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}