{"id":181,"date":"2017-07-20T16:46:25","date_gmt":"2017-07-20T14:46:25","guid":{"rendered":"http:\/\/people.unil.ch\/arnaudbuchs\/?p=181"},"modified":"2020-05-25T12:18:46","modified_gmt":"2020-05-25T10:18:46","slug":"le-musee-invisible-dyves-bonnefoy","status":"publish","type":"post","link":"https:\/\/people.unil.ch\/arnaudbuchs\/2017\/07\/le-musee-invisible-dyves-bonnefoy\/","title":{"rendered":"Le mus\u00e9e invisible d&rsquo;Yves Bonnefoy"},"content":{"rendered":"<p>Dans l&rsquo;ouvrage <em>Quand les \u00e9crivains font leur mus\u00e9e&#8230;<\/em>, Catherine Mayaux a r\u00e9uni une vingtaine d&rsquo;\u00e9tudes sur les repr\u00e9sentations ou l&rsquo;imaginaire mus\u00e9ographique d&rsquo;\u00e9crivains de la fin du XIX\u00e8me si\u00e8cle \u00e0 l&rsquo;\u00e9poque contemporaine. Il s&rsquo;agissait notamment d&rsquo;interroger la mani\u00e8re dont la r\u00e9flexion sur le mus\u00e9e croise les pr\u00e9occupations d&rsquo;un \u00e9crivain et interagit avec sa cr\u00e9ation.<\/p>\n<p>Ma contribution, intitul\u00e9e \u00ab Le mus\u00e9e invisible d&rsquo;Yves Bonnefoy. \u00ab\u00a0Les d\u00e9couvertes de Prague\u00a0\u00bb et le sens du pass\u00e9 \u00bb, traite en particulier de l&rsquo;<em>\u00e9criture<\/em> du mus\u00e9e chez Yves Bonnefoy dans un texte en prose tir\u00e9 de <em>Rue traversi\u00e8re et autres r\u00e9cits<\/em> <em>en r\u00eave<\/em> (Po\u00e9sie\/Gallimard, 1992). Confront\u00e9 \u00e0 l&rsquo;impossibilit\u00e9 de d\u00e9crire l&rsquo;alt\u00e9rit\u00e9 du pass\u00e9, des tableaux et du mus\u00e9e de Prague, l&rsquo;\u00e9criture du po\u00e8te r\u00e9ussit en revanche\u00a0 \u00e0 rendre admirablement compte de leur effacement dans les mots. L&rsquo;\u00e9criture du mus\u00e9e se substitue ainsi \u00e0 toute forme de description de celui-ci.<\/p>\n<p>Publi\u00e9 dans Catherine Mayaux (dir.), <a href=\"https:\/\/www.peterlang.com\/view\/product\/79634\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Quand les \u00e9crivains font leur mus\u00e9e&#8230;<\/em><\/a>, Bruxelles, Peter Lang, coll. Litt\u00e9ratures de langue fran\u00e7aise, 2017, p.137-147.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans l&rsquo;ouvrage Quand les \u00e9crivains font leur mus\u00e9e&#8230;, Catherine Mayaux a r\u00e9uni une vingtaine d&rsquo;\u00e9tudes sur les repr\u00e9sentations ou l&rsquo;imaginaire mus\u00e9ographique d&rsquo;\u00e9crivains de la fin du XIX\u00e8me si\u00e8cle \u00e0 l&rsquo;\u00e9poque contemporaine. Il s&rsquo;agissait notamment d&rsquo;interroger la mani\u00e8re dont la r\u00e9flexion sur le mus\u00e9e croise les pr\u00e9occupations d&rsquo;un \u00e9crivain et interagit avec sa cr\u00e9ation. Ma contribution, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/people.unil.ch\/arnaudbuchs\/2017\/07\/le-musee-invisible-dyves-bonnefoy\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Le mus\u00e9e invisible d&rsquo;Yves Bonnefoy&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1001005,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[15,3,6,11,10,7],"tags":[],"class_list":{"0":"post-181","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-bonnefoy","7":"category-dernieres-parutions","8":"category-esthetique","9":"category-litterature-contemporaine","10":"category-litterature-et-peinture","11":"category-poesie"},"_links":{"self":[{"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/posts\/181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/users\/1001005"}],"replies":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/comments?post=181"}],"version-history":[{"count":0,"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/posts\/181\/revisions"}],"wp:attachment":[{"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/media?parent=181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/categories?post=181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/people.unil.ch\/arnaudbuchs\/wp-json\/wp\/v2\/tags?post=181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}