{"id":6,"date":"2010-09-15T14:45:25","date_gmt":"2010-09-15T12:45:25","guid":{"rendered":"http:\/\/people.unil.ch\/kirstenannestirling\/"},"modified":"2024-09-29T08:39:31","modified_gmt":"2024-09-29T06:39:31","slug":"research-and-publications","status":"publish","type":"page","link":"https:\/\/people.unil.ch\/kirstenannestirling\/research-and-publications\/","title":{"rendered":"Research and publications"},"content":{"rendered":"

Books <\/strong><\/p>\n

Picturing Divinity in John Donne’s Writings.\u00a0<\/em>Cambridge: D.S. Brewer, 2024. Available in Open Access.<\/a><\/p>\n

Peter Pan’s Shadows in the Literary Imagination. <\/em>New York & London: Routledge, 2012.<\/p>\n

Bella Caledonia: Woman, Nation, Text<\/em>. Amsterdam: Rodopi, 2008.<\/p>\n

Ed., with Martine Hennard Dutheil de la Roch\u00e8re, After Satan: Essays in Honour of Neil Forsyth<\/em>. Newcastle: Cambridge Scholars Publishing, 2010.<\/p>\n

Ed., with Jim McGonigal, Ethically Speaking: Voice and Values in Modern Scottish Literature<\/em>. Amsterdam: Rodopi, 2006.<\/p>\n

Ed., with Neil McMillan, Odd Alliances: New Directions in Scottish Literature<\/em>. Glasgow: Cruithne Press, 1999.<\/p>\n

Journal <\/strong><\/p>\n

Ed., with Antonio Rodriguez, Lyre Multim\u00e9dia: Nouveaux objets pour la critique de la po\u00e9sie.<\/em> \u00c9tudes de Lettres<\/em>, Revue de la Facult\u00e9 des Lettres, Universit\u00e9 de Lausanne (no. 319, 2022). Read online through OpenEditions<\/a>.<\/p>\n

Ed., with Boris Vejdovsky and Lucy Perry, Body Politics<\/em>. Etudes de Lettres<\/em>, Revue de la Facult\u00e9 des Lettres, Universit\u00e9 de Lausanne (2001.4).<\/p>\n

Journal Articles<\/strong><\/p>\n

‘The Lyric Eye: Self-Representation in The Early Modern English Portrait-Poem,\u2019 \u00c9tudes de lettres<\/em> 319 (2022): 19-35. Read online<\/a><\/p>\n

(With Antonio Rodriguez) \u2018Quels nouveaux objets pour la critique du lyrique,\u2019 \u00c9tudes de lettres<\/em> 319 (2022): 7-16. Read online in French<\/a> and English<\/a><\/p>\n

\u2018\u201cAs a picture looks upon him, that looks upon it\u201d: Cusanus in Donne\u2019s Sermons.\u2019 American Cusanus Society Newsletter<\/em> 35 (2018): 7-13.<\/p>\n

‘Transforming the pantomime formula in J. M. Barrie’s\u00a0Peter Pan.<\/em>‘\u00a0European Journal of English Studies<\/em> 20.1 (2016): 83-94.<\/p>\n

\u2018Absence and Presence in\u201cResurrection,\u00a0imperfect\u201d.\u2019\u00a0John Donne Journal<\/em> 29(2010): 207-217<\/p>\n

\u2018Dr Donne\u2019s art gallery and the imago dei.<\/em>\u2019\u00a0John Donne Journal <\/em>27 (2008).<\/p>\n

\u2018Lutheran imagery and Donne\u2019s \u201cpicture of Christ crucified\u201d.\u2019\u00a0John Donne Journal<\/em> 26 (2007).<\/p>\n

\u2018\u201cImagined corners\u201d: time, space and the Last Judgement in John Donne\u2019s Last Judgement Holy Sonnets\u2019.\u00a0Word and Image<\/em> 21.3, (July-September 2005).<\/p>\n

\u2018A bit of the other: translation and the Scottish muse in MacDiarmid\u2019s poetry\u2019, Etudes Ecossaises<\/em> 9 (2003-2004).<\/p>\n

\u2018When grown-ups read children\u2019s books\u2019.\u00a0The European English Messenger<\/em> Vol. XI\/1 (2002).<\/p>\n

\u2018\u201cYou can take the girl out of Scotland\u2026\u201d: critical approaches to gender and nation.\u2019\u00a0Body Politics<\/em>. Etudes de Lettres<\/em> (2001.4).<\/p>\n

\u2018Alba our mother: woman as nation in Scottish literature.\u2019\u00a0ScotLit,<\/em> Association of Scottish Literary Studies (Autumn 1996).<\/p>\n

Chapters and articles in books<\/strong><\/span><\/h3>\n

\u2018Donne\u2019s Negative Theology of the Cross\u2019 in Robert W. Reeder and Russell M. Hillier, eds, Comparative Essays on the Poetry and Prose of John Donne and George Herbert: Combined Lights<\/em>. University of Delaware Press, 2021, 17-33.<\/p>\n

‘More Anon’: Autobiography and Fiction in the Work of J. M. Barrie’ in Klaus Peter M\u00fcller et al. \u00a0(eds)\u00a0Inspiring Views from “a’ the airts” on Scottish Literatures, Art and Cinema: The First World Congress of Scottish Literatures in Glasgow 2014<\/em>. Frankfurt: Peter Lang, 2016. pp. 221-236.<\/p>\n

‘”Part of a part which was once the whole”: Mephistopheles and the Author Figure in Lanark and Fleck.’ in Camille Manfredi (ed.), Alasdair Gray: Ink for Worlds<\/em>. Palgrave Macmillan.\u00a0 pp. 34-46.<\/p>\n

\u2018Liturgical Poetry\u2019 in The<\/em> Oxford Handbook of Donne Studies<\/em>, ed. by Dennis Flynn, Jeanne Shami and M. Thomas Hester. Oxford: Oxford University Press, 2011.<\/p>\n

\u2018The Devil in the Printing Press\u2019 in Stirling and Hennard Dutheil de la Roch\u00e8re, eds, After Satan<\/em>,\u00a02010.<\/p>\n

\u2018\u201cThe picture of Christ crucified\u201d: Lutheran influence on Donne\u2019s religious imagery\u2019 in Mary Carr et al. eds, Allegory: Aspects and Approaches<\/em>. Cambridge: Cambridge Scholars\u2019 Press, 2008.<\/p>\n

\u2018\u201cDr Jekyll and Mr Jackass\u201d: Fight Club<\/em>\u2019s echoes of the nineteenth-century Doppelg\u00e4nger<\/em>\u2019 in Read Mercer Schuchardt, ed., Fight Club and Philosophy<\/em>. Dallas: BenBella Books, 2008.<\/p>\n

\u2018\u201cLying is good like this\u201d: the collaborative lie in the early fiction of A.L. Kennedy\u2019 in Stirling and McGonigal eds, Ethically Speaking<\/em>. Rodopi, 2006.<\/p>\n

\u2018\u201cDr Jekyll and Mr Jackass\u201d: Fight Club <\/em>as a refraction of Hogg\u2019s Justified Sinner<\/em> and Stevenson\u2019s Jekyll and Hyde<\/em>\u2019 in Susanna Onega and Christian Gutleben, eds, Refracting the Canon in Contemporary British Literature and Film<\/em>. Amsterdam: Rodopi, 2004.<\/p>\n

\u2018The shape of things to come: writing the map of Scotland\u2019 in Scotland\u2019s Boundaries and Identities: Nation, Politics and Culture in Scotland<\/em>. Dundee: U. of Abertay Press, 2001.<\/p>\n

\u2018Imagined bodies and the landscape of home: woman as nation in the fiction of Alasdair Gray\u2019 in Susanne Hagemann ed., Terranglian Territories: Proceedings of the 7th International Conference on the Literature of Region and Nation<\/em>. Frankfurt am Main: Peter Lang 2000.<\/p>\n

\u2018The roots of the present: Naomi Mitchison, Agnes Mure Mackenzie and the construction of history\u2019, in Ted Cowan and Douglas Gifford eds, The Polar Twins<\/em>. Edinburgh: John Donald, 2000.<\/p>\n

\u2018\u201cThe comparative anatomy of the eye\u201d: James Bridie\u2019s The Anatomist <\/em>and Alasdair Gray\u2019s Poor Things<\/em>\u2019 in McMillan and Stirling eds, Odd Alliances <\/em>(1999).<\/p>\n

(With Fiona Black) Select bibliography for Douglas Gifford and Dorothy MacMillan eds, The History of Scottish Women\u2019s Writing<\/em>. Edinburgh: EUP 1997.<\/p>\n","protected":false},"excerpt":{"rendered":"

Books Picturing Divinity in John Donne’s Writings.\u00a0Cambridge: D.S. Brewer, 2024. Available in Open Access. Peter Pan’s Shadows in the Literary Imagination. New York & London: Routledge, 2012. Bella Caledonia: Woman, Nation, Text. Amsterdam: Rodopi, 2008. Ed., with Martine Hennard Dutheil de la Roch\u00e8re, After Satan: Essays in Honour of Neil Forsyth. Newcastle: Cambridge Scholars Publishing, … <\/p>\n

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