{"id":16,"date":"2022-06-19T10:17:19","date_gmt":"2022-06-19T08:17:19","guid":{"rendered":"https:\/\/people.unil.ch\/matthewscully\/?page_id=16"},"modified":"2026-03-24T21:22:07","modified_gmt":"2026-03-24T20:22:07","slug":"cv","status":"publish","type":"page","link":"https:\/\/people.unil.ch\/matthewscully\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\n<p class=\"has-text-align-center has-large-font-size\"><strong>Matthew P. Scully, Ph.D.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u2022 Email: matthew.scully@unil.ch<\/p>\n\n\n\n<p><strong>Education<\/strong><\/p>\n\n\n\n<p>Doctor of Philosophy in English, Tufts University, May 2018<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dissertation: \u201cAgainst Form: Figural Excess and the Negative Democratic Impulse in American Literature\u201d<\/li>\n<\/ul>\n\n\n\n<p>Master of Arts in English, Boston College, May 2013<\/p>\n\n\n\n<p>Bachelor of Arts with Honors in English, with Distinction, McGill University, February 2011<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Minor in Musical Applications of Technology<\/li>\n<\/ul>\n\n\n\n<p><strong>Professional Appointments<\/strong><\/p>\n\n\n\n<p>2026-present: Ma\u00eetre\u00a0d&rsquo;enseignement et de recherche (suppl\u00e9ant) in American Literature, English Department, University of Lausanne<\/p>\n\n\n\n<p>2022\u20132026: Ma\u00eetre\u00a0Assistant in American Literature, English Department, University of Lausanne<\/p>\n\n\n\n<p>2016-2021: Affiliated Faculty, Marlboro Institute of Liberal Arts and Interdisciplinary Studies, Honors Program, Emerson College<\/p>\n\n\n\n<p>2015-2021: Affiliated Faculty, Department of Writing, Literature, and Publishing, Emerson College<\/p>\n\n\n\n<p><strong>Teaching &amp; Research Interests<\/strong><\/p>\n\n\n\n<p>Early to Contemporary Multiethnic American Fiction, Poetry, Visual Art, and Film; American Studies; Black Studies; Asian American Studies; Indigenous Studies; Literary Theory; Intersections of Politics and Aesthetics; Radical Democracy; Gender and Sexuality Studies; Decolonization and Revolution; Ecology; Modernism and Postmodernism; Marxism and Psychoanalysis; Queer Theory<\/p>\n\n\n\n<p><strong>Publications<\/strong><\/p>\n\n\n\n<p><em>Monograph:<\/em><\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.fordhampress.com\/9781531507077\/democratic-anarchy\/\">Democratic Anarchy: Aesthetics and Political Resistance in U.S. Literature<\/a><\/em>, Fordham University Press (2024).<\/p>\n\n\n\n<p><em>Book Chapters:<\/em><\/p>\n\n\n\n<p>\u201cWayward Possibilities: Errant Black Women and the Intimacies of Freedom,\u201d <em><a href=\"https:\/\/www.upress.umn.edu\/9781517919184\/postpolitics-and-the-aesthetic-imagination\/\">Postpolitics and the Aesthetic Imagination<\/a><\/em>, edited by Juan Meneses (University of Minnesota Press, 2025).<\/p>\n\n\n\n<p><em>Peer-Reviewed Articles:<\/em><\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/doi.org\/10.1093\/melus\/mlaf010\">Between Two Emancipations: Louise Erdrich and the Politics of Disavowal<\/a>,\u201d <em>MELUS: Multi-Ethnic Literatures of the U.S.<\/em> 50.1 (Spring 2025): 141-64.<\/p>\n\n\n\n<p>\u00ab\u00a0<a href=\"https:\/\/doi.org\/10.33675\/SPELL\/2024\/44\/8\">Cherish Your Fantasy: Thomas Pynchon&rsquo;s Paranoid Meanings and Entropic Dissolutions<\/a>,\u00a0\u00bb <em>SPELL: Swiss Papers in English Language and Literature<\/em> 44 (2024): 61-80.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/doi.org\/10.33675\/SPELL\/2023\/42\/9\">Tautological Revisions: Colson Whitehead\u2019s <em>The Nickel Boys<\/em> and the Construction of Black Life<\/a>,\u201d <em>SPELL: Swiss Papers in English Language and Literature<\/em> 42 (2023): 83-101.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/doi.org\/10.4000\/ejas.20794\">Melville\u2019s Obsessional Form: Disjunction and Refusal in \u2018Benito Cereno,\u2019<\/a>\u201d <em>European Journal of American Studies<\/em> 18.3 (7 Sept. 2023). <\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/muse.jhu.edu\/pub\/1\/article\/864901\">Horrible Beauty: Robin Coste Lewis\u2019s Black Aesthetic Practice<\/a>,\u201d <em>Postmodern Culture<\/em> 32.2 (Jan. 2022).<\/p>\n\n\n\n<p>\u201cDemocratic Aesthetics: Scenes of Political Violence and Anxiety in Nari Ward and Ocean Vuong,\u201d <em>American Literature<\/em> 93.4 (Dec. 2021): 685-712.<\/p>\n\n\n\n<p>\u201cResistance and Revolution: Fanon, Himes, and \u2018a literature of combat,\u2019\u201d <em>African American Review<\/em> 54.3 (Fall 2021): 199-217.<\/p>\n\n\n\n<p>\u201cAnarchival Dislocations: Modes of Reading (in) Black Studies,\u201d <em>Diacritics: A Review of Contemporary Criticism<\/em> 48.1 (2020): 4-28.<\/p>\n\n\n\n<p>\u201cPlasticity at the Violet Hour: Tiresias, <em>The Waste Land<\/em>, and Poetic Form,\u201d <em>JML: Journal of Modern Literature<\/em> 41.3 (Spring 2018): 166-182.<\/p>\n\n\n\n<p><em>Translations:<\/em><\/p>\n\n\n\n<p>(with Nell Wasserstrom and Carolyn Shread) Jacques Ranci\u00e8re, <em>Y a-t-il un art communiste?<\/em> (unpublished in French), Une conference de Jacques Ranci\u00e8re, Grand Palais, Exposition: <em>Rouge: Art et utopie au pays des Soviets<\/em>,<em> <\/em>Paris, FR, 10 April 2019 (English: \u201cDoes Communist Art Exist?\u201d <em>Critical Inquiry<\/em> 48.3 [Spring 2022]: 459-474).<\/p>\n\n\n\n<p><em>Book Reviews:<\/em><\/p>\n\n\n\n<p>Review of Thomas Austenfeld and Grzegorz Ko\u015b\u0107 (eds.), <em>Robert Lowell in Context<\/em>, <em>Twentieth-Century Literature<\/em>, 70.4 (Dec. 2024): 425-33.<\/p>\n\n\n\n<p>Review of Sergio Benvenuto\u2019s <em>Conversations with Lacan: Seven Lectures for Understanding Lacan<\/em>, <em>American Imago<\/em>, 77.4 (Winter 2020): 772-785.<\/p>\n\n\n\n<p>Review of Audrey Wasser\u2019s <em>The Work of Difference: Modernism, Romanticism, and the Production of Literary Form<\/em>, <em>SubStance: A Review of Theory and Literary Criticism<\/em>, 48.1 (2019): 113-117.<\/p>\n\n\n\n<p>\u201cThe Power of the People,\u201d Review of Scott Henkel\u2019s <em>Direct Democracy: Collective Power, the Swarm, and the Literatures of the Americas<\/em>, <em>sx salon: a small axe literary platform <\/em>29 (October 2018).<\/p>\n\n\n\n<p>Review of Philip Lorenz\u2019s <em>Tears of Sovereignty: Perspectives of Power in Renaissance Drama<\/em>, <em>MLN<\/em> (<em>Modern Language Notes<\/em>) 129.5 (December 2014): 1238-1240.<\/p>\n\n\n\n<p>\u201cMusical Literature: Bridging the Gap between High and Low Art,\u201d Review of T. Austin Graham\u2019s <em>The Great American Songbooks: Musical Texts, Modernism, &amp; the Value of Popular Culture<\/em>, <em>Twentieth-Century Literature <\/em>59.3 (Fall 2013): 504-512.<\/p>\n\n\n\n<p><em>Other Publications:<\/em><\/p>\n\n\n\n<p>\u201cAesthetic Absorption: On the Effects of Lingering with Rothko,\u201d <em>ASAP\/Review<\/em> (24 February 2025). <a href=\"https:\/\/asapjournal.com\/feature\/aesthetic-absorption-on-the-effects-of-lingering-with-rothko\/\">https:\/\/asapjournal.com\/feature\/aesthetic-absorption-on-the-effects-of-lingering-with-rothko\/<\/a><\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/www.southernhumanitiesreview.com\/review-ocean-vuongs-time-is-a-mother-by-matthew-scully.html\">Seductions of Metaphor: On Ocean Vuong\u2019s <em>Time Is a Mother<\/em><\/a>,\u201d <em>Southern Humanities Review<\/em> (28 July 2023).<\/p>\n\n\n\n<p>\u201c<a rel=\"noreferrer noopener\" href=\"https:\/\/www.counterpunch.org\/2020\/07\/31\/the-triple-antagonist-of-the-police-policing-and-policy\/#gsc.tab=0\" target=\"_blank\">The Triple Antagonist of the Police, Policing, and Policy<\/a>,\u201d <em>CounterPunch<\/em> (31 July 2020). <\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/iupress.typepad.com\/blog\/2018\/08\/disordering-modernism-on-ts-eliots-the-waste-land-a-closer-look-at-jml-413.html\" target=\"_blank\" rel=\"noreferrer noopener\">Disordering Modernism: On T.S. Eliot\u2019s <em>The Waste Land<\/em><\/a>,\u201d A Closer Look at <em>JML<\/em> 41.3, <em>Indiana University Press Blog <\/em>(August 2018).<\/p>\n\n\n\n<p><strong>Awards and Fellowships<\/strong><\/p>\n\n\n\n<p>2026: PlaGe (Platforme en \u00e9tudes genre) Subsidy, University of Lausanne<\/p>\n\n\n\n<p>2023: SANAS Research Award, Swiss Association for North American Studies.<\/p>\n\n\n\n<p>2021: Ninth Annual First Book Institute, Center for American Literary Studies, Pennsylvania State University, June 7-11.<\/p>\n\n\n\n<p>2021: Professional Development Grant for Part-Time Faculty, Modern Language Association<\/p>\n\n\n\n<p>2020: Affiliated Faculty Professional Development Grant, Emerson College<\/p>\n\n\n\n<p>2018: Affiliated Faculty Professional Development Grant, Emerson College<\/p>\n\n\n\n<p>2017: Dissertation Fellowship, Tufts University, Department of English<\/p>\n\n\n\n<p>2016: Deans\u2019 Fellowship in the Humanities and Arts, Tufts University<\/p>\n\n\n\n<p>2014-2016: Teaching Assistantship, Tufts University<\/p>\n\n\n\n<p>2013-2014: Full Departmental Scholarship, Tufts University, Department of English<\/p>\n\n\n\n<p>2012-2013: Teaching Fellowship, Boston College<\/p>\n\n\n\n<p>2011-2012: M.A. Scholarship, Boston College<\/p>\n\n\n\n<p><strong>Guest Lectures and Invited Talks<\/strong><\/p>\n\n\n\n<p>2026: \u00ab\u00a0Democratic Anarchy, Utopia, and the Possibilities of Literature,\u00a0\u00bb Literature, Theater, and the Future of Democracy, L\/T: Centre d&rsquo;\u00e9tudes litt\u00e9raires et th\u00e9\u00e2trales, 19e-21e, UC Louvain, Belgium, March 13.<\/p>\n\n\n\n<p>2025: \u00ab\u00a0The Ethics of Teaching: Trigger Warnings, Cancel Culture, and Cultural Appropriation,\u00a0\u00bb Formation Continue, \u00ab\u00a0Dire\/Interdire dans la litt\u00e9rature et l&rsquo;enseignement,\u00a0\u00bb UNIL\/EPFL, November 21.<\/p>\n\n\n\n<p>2025: \u00ab\u00a0Narratives and Poetics of Desire in Contemporary North American Literature,\u00a0\u00bb Lecture for SCOPE, English Department Student Organization, University of Lausanne, October 28.<\/p>\n\n\n\n<p>2025: Guest Lecture: \u00ab\u00a0New Narratives: Ecological and Democratic Practices,\u00a0\u00bb \u00ab\u00a0Environmental Crisis and Societal Change,\u00a0\u00bb MA Course, taught by Guido Palazzo and Boris Vejdovsky, University of Lausanne\/EPFL, April 10.<\/p>\n\n\n\n<p>2024: Guest Lecture: \u00ab\u00a0Contemporary American Fiction,\u00a0\u00bb BA Course, taught by Patrick Vincent, University of Neuch\u00e2tel, April 30.<\/p>\n\n\n\n<p>2024: \u00ab\u00a0Democratic Anarchy and the Ends of Politics,\u00a0\u00bb Doctoral Workshop in Modern and Contemporary English Studies, CUSO, University of Geneva, March 6.<\/p>\n\n\n\n<p>2023: \u00ab\u00a0On Parasites: Literature and Philosophy,\u00a0\u00bb Doctoral Workshop in Modern and Contemporary English Studies, CUSO, \u00ab\u00a0Philosophy by Other Means,\u00a0\u00bb Robert B. Pippin, University of Geneva, May 15.<\/p>\n\n\n\n<p>2022: \u00ab\u00a0Edgar Allan Poe and the Invention of the Modern Short Story,\u00a0\u00bb Formation Continue, \u00ab\u00a0Less is More\u00a0\u00bb: Unpacking the Short Story as a Literary Genre, University of Lausanne\/EPFL, September 16.<\/p>\n\n\n\n<p>2022: \u201cBetween Two Emancipations: The Politics of Louise Erdrich\u2019s <em>The Night Watchman<\/em>,\u201d English Department Lecture Series, University of Lausanne, March 10.<\/p>\n\n\n\n<p>2020: \u201cJacques Ranci\u00e8re: Art and Emancipation,\u201d ENGL775: Live Contemporary Theorists, Graduate Course, taught by Frances Restuccia, Boston College, English Department, November 4.<\/p>\n\n\n\n<p><strong>Selected Conference Presentations<\/strong><\/p>\n\n\n\n<p>2022: \u201cRetelling a Story to Live: Figures of Emplotment in Colson Whitehead\u2019s <em>The Nickel Boys<\/em>,\u201d <em>Swiss Association for North American Studies<\/em> (SANAS), Fribourg, Switzerland, scheduled for November.<\/p>\n\n\n\n<p>2021: \u201cCombat Literature: Fanon and Himes,\u201d <em>American Studies Association <\/em>(ASA), Virtual Meeting, October.<\/p>\n\n\n\n<p>2021: \u201cTautology and Structure: Reading as Rereading,\u201d <em>American Comparative Literature Association<\/em> (ACLA), Virtual Meeting, April.<\/p>\n\n\n\n<p>2021: \u201cTautological Enumerations and Anagrammatical Blackness,\u201d <em>Modern Language Association<\/em> (MLA), Virtual Meeting, January.<\/p>\n\n\n\n<p>2021: \u201cDemocratic Equality: Nari Ward, Ocean Vuong, and the Politics of Aesthetics,\u201d <em>Modern Language Association<\/em> (MLA), Virtual Meeting, January.<\/p>\n\n\n\n<p>2019: \u201cDemocratic Anarchy: The Politics of Equality and the Asymmetries of Being,\u201d <em>American Comparative Literature Association<\/em> (ACLA), Washington, D.C., March.<\/p>\n\n\n\n<p>2018: \u201cRefractions of the Subject: Identity Politics and Voting,\u201d <em>American Studies Association<\/em> (ASA), Atlanta, GA, November.<\/p>\n\n\n\n<p>2017: \u201cWalter Benjamin and the Destruction of Democracy,\u201d <em>American Comparative Literature Association<\/em> (ACLA), Utrecht, Netherlands, July.<\/p>\n\n\n\n<p>2017: \u201cWilliam Gaddis, Failure, and the Crisis of Representation,\u201d <em>American Literature Association<\/em> (ALA), Boston, MA, May.<\/p>\n\n\n\n<p>2017: \u201cA Safe Harbor between the Self and Other: Community in Toni Morrison\u2019s <em>Sula<\/em>,\u201d <em>The Society for the Study of the Multi-Ethnic Literature of the United States <\/em>(MELUS), Massachusetts Institute of Technology, Cambridge, MA, April.<\/p>\n\n\n\n<p>2015: \u201cWalter Benjamin: Toward an Experience of the Exception,\u201d <em>Modernist Studies Association<\/em> (MSA), Boston, MA, November.<\/p>\n\n\n\n<p>2015: \u201cPlasticity at the Violet Hour: <em>The Waste Land <\/em>and the Problem of Form,\u201d <em>American Comparative Literature Association<\/em> (ACLA), University of Washington, Seattle, WA, March.<\/p>\n\n\n\n<p>2014: \u201cChester Himes, Frantz Fanon, and the Force of Blues Irony: Toward a New Humanism,\u201d <em>Northeast Popular Culture Association<\/em>, Providence, RI, October.<\/p>\n\n\n\n<p>2014: \u201cWallace Stevens\u2019 Infinite Finitude: Negativity as Aesthetic Experience,\u201d <em>Northeast Modern Language Association<\/em> (NeMLA), Harrisburg, PA, April.<\/p>\n\n\n\n<p>2014: \u201cHenry James\u2019 \u2018impotent spectator\u2019: Messianism in \u2018The Jolly Corner,\u2019\u201d <em>American Comparative Literature Association<\/em> (ACLA), New York University, New York, NY, March.<\/p>\n\n\n\n<p>2013: \u201cA Radical Finitude: Recognition and Temporal Experience in T. S. Eliot\u2019s \u2018Marina,\u2019\u201d <em>T. S. Eliot Society<\/em>, Washington University, St. Louis, MO, September.<\/p>\n\n\n\n<p>2013: \u201cRefigured Time and Space in Thomas Pynchon\u2019s <em>Against the Day<\/em>,\u201d <em>American Comparative Literature Association<\/em> (ACLA), University of Toronto, Toronto, Canada, April.<\/p>\n\n\n\n<p>2013: \u201c\u2018Maps and mazes\u2019: <em>The Road<\/em> and (Post-)Modern Time,\u201d <em>Northeast Modern Language Association <\/em>(NeMLA), Boston, MA, March.<\/p>\n\n\n\n<p>2012: \u201c\u2018It\u2019s a Joke\u2019: <em>The Recognitions <\/em>and the Value of Art in Post-WWII America,\u201d <em>American Comparative Literature Association<\/em> (ACLA), Brown University, Providence, RI, March.<\/p>\n\n\n\n<p>2012: \u201c\u2018What is its virtue and power\u2019: Guido Cavalcanti\u2019s Place in T. S. Eliot\u2019s Thought and Poetry,\u201d <em>T. S. Eliot Society<\/em>, Florence, Italy, February.<\/p>\n\n\n\n<p><strong>Conference Panels Chaired and Organized<\/strong><\/p>\n\n\n\n<p>2021: Panel Chair and Organizer, \u201cReading in Theory,\u201d <em>American Comparative Literature Association<\/em> (ACLA), Virtual Meeting, April.<\/p>\n\n\n\n<p>2019: Panel Chair and Organizer, \u201cPolitics and Ontology,\u201d <em>American Comparative Literature Association<\/em> (ACLA), Washington, D.C., March.<\/p>\n\n\n\n<p>2017: Panel Chair and Organizer, \u201cDemocracy and Liberalism in U.S. Literature and Politics,\u201d <em>American Literature Association<\/em> (ALA), Boston, MA, May.<\/p>\n\n\n\n<p>2017: Panel Chair, \u201cImmigration and Identity,\u201d <em>American Literature Association<\/em> (ALA), Boston, MA, May.<\/p>\n\n\n\n<p>2014: Panel Chair and Organizer, \u201cModernism and the (Im)Possible \u2018Time of the Now,\u2019\u201d <em>Northeast Modern Language Association<\/em> (NeMLA), Susquehanna University, Harrisburg, PA, April.<\/p>\n\n\n\n<p>2014: Panel Chair and Organizer, \u201cNew York City: Written, Erased, Rewritten,\u201d <em>American Comparative Literature Association<\/em> (ACLA), New York University, New York, NY, March.<\/p>\n\n\n\n<p><strong>Teaching and Work Experience<\/strong><\/p>\n\n\n\n<p>2019: Visiting Lecturer, Experimental College, Tufts University (Spring)<\/p>\n\n\n\n<p>2018-2021: Adjunct Faculty, Writing Center, Massachusetts College of Pharmacy and Health Sciences<\/p>\n\n\n\n<p>2014-2018: Graduate Writing Consultant, Academic Resource Center, Tufts University<\/p>\n\n\n\n<p>2014-2017: Graduate Instructor, First-Year Writing Program, Tufts University<\/p>\n\n\n\n<p>2012-2013: Teaching Fellow, First-Year Writing Seminar, Boston College<\/p>\n\n\n\n<p>2012-2013: Writing Tutor, Learning Resources for Student Athletes, Boston College<\/p>\n\n\n\n<p>2012: Writing Fellow, Options Through Education (OTE) Program, Office of AHANA Student Programs, Boston College<\/p>\n\n\n\n<p>2011-2013: Writing\/ELL Writing and Conversation Tutor, Connors Family Learning Center, Boston College<\/p>\n\n\n\n<p>2011: Professional Writing Tutor, Manchester Community College<\/p>\n\n\n\n<p><strong>Courses Taught<\/strong><\/p>\n\n\n\n<p>University of Lausanne<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alienation and Freedom<\/li>\n\n\n\n<li>Anglo-American Literary Survey<\/li>\n\n\n\n<li>Black Nature Writing (Graduate Course)<\/li>\n\n\n\n<li>Critical Approaches (Graduate Course)<\/li>\n\n\n\n<li>Derrida and the Deconstruction of Natural Rights: Animals, Ethics, Humanity (Graduate Course)<\/li>\n\n\n\n<li>Ethnic American Literature<\/li>\n\n\n\n<li><em>Explication de textes<\/em>: American Lyric Poetry<\/li>\n\n\n\n<li>Introduction to Literary Analysis<\/li>\n\n\n\n<li>Literature and Revolution<\/li>\n\n\n\n<li>Loafers, Slackers, and Other Figures of Resistance in American Literature<\/li>\n\n\n\n<li>Reading Race and Sex in American Literature (Graduate Course)<\/li>\n<\/ul>\n\n\n\n<p>Emerson College<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Affiliated Faculty, LI120: <em>Introduction to Literary Studies<\/em><\/li>\n\n\n\n<li>Affiliated Faculty, LI201: <em>Literary Foundations<\/em><\/li>\n\n\n\n<li>Affiliated Faculty, LI202: <em>U.S.\/American Literatures<\/em><\/li>\n\n\n\n<li>Affiliated Faculty, LI204: <em>Resistance and Revolution<\/em><\/li>\n\n\n\n<li>Affiliated Faculty, LI204: <em>Democracy and American Literature<\/em><\/li>\n\n\n\n<li>Co-Instructor, LI210: <em>American Women Writers<\/em>, with Shannon Derby<\/li>\n\n\n\n<li>Affiliated Faculty, LI304: <em>Genres of Contemporary American Literature<\/em> (Online)<\/li>\n\n\n\n<li>Affiliated Faculty, LI323: <em>The American Short Story<\/em><\/li>\n\n\n\n<li>Affiliated Faculty, IN126: <em>Literature of Extreme Situations<\/em><\/li>\n\n\n\n<li>Affiliated Faculty, IN374: <em>Reading Race and Sexuality<\/em><\/li>\n\n\n\n<li>Co-Instructor, HS101 and HS102: <em>Perspectives on Literature and Culture of the Americas<\/em>, with Thomas McNeely<\/li>\n\n\n\n<li>Co-Instructor, HS103: <em>Honors Writing Symposium<\/em>, with Thomas McNeely<\/li>\n<\/ul>\n\n\n\n<p>Tufts University<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Graduate Instructor, ENGL0001: <em>Expository Writing<\/em><\/li>\n\n\n\n<li>Graduate Instructor, ENGL0002: <em>Differences<\/em><\/li>\n\n\n\n<li>Teaching Assistant, ENG63 <em>American Literature 1900-1950<\/em>, with Ronna Johnson<\/li>\n\n\n\n<li>Teaching Assistant, ENG81 <em>Postmodernism and Film<\/em>, with Lee Edelman<\/li>\n\n\n\n<li>Visiting Lecturer, EXP0001: <em>Resistance and Revolution: The Historical Movements that Led to #BlackLivesMatter #MeToo #NoDAPL<\/em>, Experimental College<\/li>\n<\/ul>\n\n\n\n<p>Boston College<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Teaching Fellow, ENGL100: <em>First-Year Writing Seminar<\/em><\/li>\n<\/ul>\n\n\n\n<p><strong>Administrative and Professional Services<\/strong><\/p>\n\n\n\n<p>Part-Time Contingent Faculty Members Delegate, Delegate Assembly, Modern Language Association, Jan 2021 \u2013 Jan 2024<\/p>\n\n\n\n<p>Founder and Organizer of Graduate Theory Reading Group, Tufts University, Medford, MA, Fall 2016 \u2013 Fall 2017<\/p>\n\n\n\n<p>Director, <em>Mobile Communities<\/em>, Tufts Graduate Humanities Conference, Tufts University, Medford, MA, Spring 2016 \u2013 Fall 2016<\/p>\n\n\n\n<p>Roundtable Working Group Chair, <em>Mobile Communities<\/em>, Tufts Graduate Humanities Conference, Tufts University, Medford, MA, Spring 2016 \u2013 Fall 2016<\/p>\n\n\n\n<p>Professional Development Chair, Tufts English Graduate Organization (TEGO), Tufts University, Medford, MA, Fall 2015 \u2013 Spring 2016<\/p>\n\n\n\n<p>Roundtable Working Group Co-chair, <em>Radical Kinship<\/em>, Tufts Graduate Humanities Conference, Tufts University, Medford, MA, Spring 2015 \u2013 Fall 2015.<\/p>\n\n\n\n<p>Roundtable Working Group Member, <em>Eco-Imaginaries<\/em>, Tufts Graduate Humanities Conference, Tufts University, Medford, MA, Spring 2014 \u2013 Fall 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Matthew P. Scully, Ph.D. \u2022 Email: matthew.scully@unil.ch Education Doctor of Philosophy in English, Tufts University, May 2018 Master of Arts in English, Boston College, May 2013 Bachelor of&hellip;<\/p>\n","protected":false},"author":1001132,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-16","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/pages\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/users\/1001132"}],"replies":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/comments?post=16"}],"version-history":[{"count":5,"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/pages\/16\/revisions"}],"predecessor-version":[{"id":168,"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/pages\/16\/revisions\/168"}],"wp:attachment":[{"href":"https:\/\/people.unil.ch\/matthewscully\/wp-json\/wp\/v2\/media?parent=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}