{"id":175,"date":"2013-08-23T22:16:45","date_gmt":"2013-08-23T20:16:45","guid":{"rendered":"http:\/\/people.unil.ch\/rachelfalconer\/?page_id=175"},"modified":"2026-06-24T09:28:14","modified_gmt":"2026-06-24T07:28:14","slug":"maresearch-supervision","status":"publish","type":"page","link":"https:\/\/people.unil.ch\/rachelfalconer\/maresearch-supervision\/","title":{"rendered":"MAs"},"content":{"rendered":"

Supervision of MA m\u00e9moires (selected)<\/strong><\/p>\n

Amrit Singh, Behind the Grey Curtain: a study of the inner mechanisms of the sub-created world in J R R Tolkien’s<\/em> The Hobbit and<\/em> The Lord of the Rings. Dec 2012.<\/p>\n

Tania Balderas, From Rulfo to Rushdie: Latin American and British Magic Realism. <\/em>Sept 2013.<\/p>\n

Victoria Baumgartner, The Genesis of Bloodshed: <\/em>Violence on the Shakespearean Stage. <\/em>June 2014.<\/p>\n

Etienne Guilloud,\u00a0Milton’s <\/em>Paradise\u00a0Regained and the New Testament<\/em>. Co-supervised with Claire Clivaz. Feb 2014.<\/p>\n

Nathalie Favre, The Regenerative Voice of Eve in Milton’s <\/em>Paradise Lost. Jan 2014.<\/p>\n

Amy Player, (Re)defining ‘nature’ in Alice Oswald’s <\/em>Dart and Kathleen Jamie’s <\/em>Findings and <\/em>Sightlines, <\/em>Jan 2013. Faculty Prize.<\/p>\n

Yasmina Naim, The Revenge of Milton’s Fallen Angels in <\/em>Philip Pullman’s <\/em>His Dark Materials.\u00a0<\/em>June 2015.<\/p>\n

Valeriya Vershinina, Metamorphic Selves in London Underworld Fiction. <\/em>June 2015.<\/p>\n

Danielle Barnett, The <\/em>Ecodramas of Caryl Churchill and Anne Galjour: an Ecopoetic Approach to Theatre. <\/em>August 2015.<\/p>\n

Philippine Jaton, Storytelling in Children’s <\/em>Holocaust Fiction. <\/em>Sept 2015.<\/p>\n

Aline Kohler, Ovidian Myth in Amy Beth Kirsten’s\u00a0 Music<\/em>. Co-supervised with Mathilda Reichler, Haute Ecole de Musique de Lausanne.\u00a0 Sept 2015.<\/p>\n

Chloe Falcy, ‘When orient light \/ Exhaling first from darkness they beheld’: the Oriental Narrative of Milton’s <\/em>Paradise Lost. June 2016.<\/p>\n

Sandra Vuilleumier, ‘Man is to live; and all things live for Man’: Nature and Ecology in Milton’s <\/em>Paradise Lost. Sept 2016.<\/p>\n

Jonathan Antunes Afonso, ‘I Stand in My Own Pain and Sing My Own Song’: Rewriting Eurydice in Modern and Contemporary Women’s Poetry. <\/em>Dec 2016.<\/p>\n

Marie-Laure Cap, Chronotopic\u00a0Ethics: Fleshing Out Time and Space in Kazuo Ishiguro’s<\/em> Never Let Me Go. May 2017, Faculty Prize.<\/p>\n

Laura Vogel, Creatureliness in J. K. Rowling\u2019s <\/em>Fantastic Beasts and the <\/em>Harry Potter series: Animal Studies and Posthuman Approaches. <\/em>June 2020.<\/p>\n

Katharina Schwarck,\u00a0Snape, Snape, Severus Snegg –\u00a0<\/em>The Russian Translation of Proper Nouns in J K Rowling’s\u00a0Harry Potter and the Philosopher’s Stone, <\/em>Co-supervised with Ekatarina Velmozova. Sept 2022.<\/p>\n

Alexandre Jordan, Writing the Ineffable: (De)constructed Identities in Virginia Woolf\u2019s <\/em>The Waves and Kazuo Ishiguro\u2019s <\/em>Never Let Me Go. Jan 2023, Faculty Prize.<\/p>\n

Romain Bajulaz,\u00a0A Future Anchored in the Present:\u00a0<\/em>Margaret Atwood’s\u00a0<\/em>MaddAddam trilogy and its real-world resonances<\/em>. June 2023.<\/p>\n

Crystal Beard, Figurative Flowers: Explorations of Self in the Floral Imagery of Margaret Fuller and Emily Dickinson. <\/em>Co-supervised with Matthew Scully. Sept 2024.<\/p>\n

Elisa Durand, Visual Images as Key to Interpretation in John Milton\u2019s Paradise Lost.\u00a0<\/em>June 2025, Faculty Prize.<\/p>\n

Martina Quadroni, Reviving the Dragon : The Potential of Fantasy Literature for Re-enchanting the Earth.\u00a0<\/em>June 2026.<\/p>\n

 <\/p>\n

MEMOIRE <\/em><\/strong>EXAMINATION (as expert), University of Lausanne<\/strong><\/p>\n

Delphine Hirschi, From Beowulf to Frodo: New Heroism in Tolkien’s <\/em>Lord of the Rings. <\/em>Supervisor: Denis Renevey. June 2011.<\/p>\n

Jessica Monnet, Meaning behind Metamorphoses in Alasdair Gray’s <\/em>Lanark. Supervisor: Kirsten Stirling. June 2011.<\/p>\n

Marie Emilie Walz, When <\/em>The Faerie Queene enters <\/em>The Bloody Chamber, 2012. Supervisor: Martine Hennard Dutheil du Roch\u00e8re. June 2013, Faculty Prize.<\/p>\n

Philip Lindholm, Blindness and Insight in <\/em>Lyrical Ballads and Other Selected Romantic Texts. <\/em>Supervisor: Roelof Overmeer. June 2012, Faculty Prize.<\/p>\n

Harley Edwards, Gustav Hasford’s Vietnam War Novels. <\/em>Supervisor Agnieszka Soltysik Monnet. Jan 2014.<\/p>\n

Estell Hegglin, The <\/em>Harry Potter saga. <\/em>Supervisor: Kirsten Stirling. Aug 2015.<\/p>\n

Sophie Toscan, Sylvia Plath\u2019s The Bell Jar, <\/em>Margaret Drabble\u2019s The Mill Stone, <\/em>and Ian McEwan\u2019s On Chesil Beach. <\/em>Supervisor: Val\u00e9rie Cossy. Jan 2016.<\/p>\n

Loris Rimaz, Descente aux enfers: La pr\u00e9sence et l\u2019influence des r\u00e9cits de catabase dans Doom. <\/em>Supervisor: Isaac Pente (Science du Language et de l\u2019Information). June 2022. Faculty Prize.<\/p>\n

Mathilde Fragni\u00e8re, Narratives of the Future(s): Rewriting the Ideology of Progress in Solarpunk Short Stories. <\/em>Supervisor: Agnieszka Soltysik Monnet. Jan 2023.<\/p>\n

Hakim L\u00e9o Sahal, How to Write a Novel Accidentally : The Effects and Relevance of Jack <\/em>Kerouac\u2019s Spontaneous Prose. <\/em>Supervisor: Agnieszka Soltysik Monnet. Sept\u00a02023.<\/p>\n

Sarah Heinzelmann, \u201cPan, Who and What Art Thou?\u201d Reading Peter through His Complex Relationship with Death in J. M. Barrie\u2019s Peter Pan, Peter and Wendy, and Peter Pan in Kensington Gardens. Supervisor: Kirsten Stirling. June 2025.<\/p>\n

L\u00e9a Komatanos, Queering the Posthuman Subject in the Feminist Speculative Fictions of Marge Piercy, Octavia Butler and Ann Leckie.\u00a0<\/em>Supervisor: Val\u00e9rie Cossy. June 2026.<\/p>\n

MA supervision\u00a0at University of Sheffield, 1993-2010<\/strong><\/p>\n

Alasdair Gray; Margaret Atwood and Marge Piercy; Postmodern war narratives; Gender in Katabatic literature; Flann O\u2019Brien and Paul Auster; Milan Kundera; Mervyn Peake; War in Children\u2019s and Crossover Fiction; Ursula LeGuin and Philip Pullman.<\/p>\n","protected":false},"excerpt":{"rendered":"

Supervision of MA m\u00e9moires (selected) Amrit Singh, Behind the Grey Curtain: a study of the inner mechanisms of the sub-created world in J R R Tolkien’s The Hobbit and The Lord of the Rings. Dec 2012. Tania Balderas, From Rulfo to Rushdie: Latin American and British Magic Realism. Sept 2013. Victoria Baumgartner, The Genesis of … <\/p>\n

Continuer la lecture de « MAs »<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":670,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-175","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages\/175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/comments?post=175"}],"version-history":[{"count":1,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages\/175\/revisions"}],"predecessor-version":[{"id":990,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages\/175\/revisions\/990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/media\/670"}],"wp:attachment":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/media?parent=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}