{"id":175,"date":"2013-08-23T22:16:45","date_gmt":"2013-08-23T20:16:45","guid":{"rendered":"http:\/\/people.unil.ch\/rachelfalconer\/?page_id=175"},"modified":"2023-09-23T22:50:38","modified_gmt":"2023-09-23T20:50:38","slug":"maresearch-supervision","status":"publish","type":"page","link":"https:\/\/people.unil.ch\/rachelfalconer\/maresearch-supervision\/","title":{"rendered":"MAs"},"content":{"rendered":"

Supervision of MA m\u00e9moires (selected)<\/strong><\/p>\n

Amrit Singh, Behind the Grey Curtain: a study of the inner mechanisms of the sub-created world in J R R Tolkien’s<\/em> The Hobbit and<\/em> The Lord of the Rings. Dec 2012.<\/p>\n

Tania Balderas, From Rulfo to Rushdie: Latin American and British Magic Realism. <\/em>Sept 2013.<\/p>\n

Victoria Baumgartner, The Genesis of Bloodshed: <\/em>Violence on the Shakespearean Stage. <\/em>June 2014.<\/p>\n

Etienne Guilloud,\u00a0Milton’s <\/em>Paradise\u00a0Regained and the New Testament<\/em>. Co-supervised with Claire Clivaz, Biblical Studies Dept. Feb 2014.<\/p>\n

Nathalie Favre, The Regenerative Voice of Eve in Milton’s <\/em>Paradise Lost. Jan 2014.<\/p>\n

Amy Player, (Re)defining ‘nature’ in Alice Oswald’s <\/em>Dart and Kathleen Jamie’s <\/em>Findings and <\/em>Sightlines, <\/em>Jan 2013. Faculty Prize. Sept 2014.<\/p>\n

Yasmina Naim, The Revenge of Milton’s Fallen Angels in <\/em>Philip Pullman’s <\/em>His Dark Materials.\u00a0<\/em>June 2015.<\/p>\n

Valeriya Vershinina, Metamorphic Selves in London Underworld Fiction. <\/em>June 2015.<\/p>\n

Danielle Barnett, The <\/em>Ecodramas of Caryl Churchill and Anne Galjour: an Ecopoetic Approach to Theatre, <\/em>August 2015.<\/p>\n

Philippine Jaton, Storytelling in Children’s <\/em>Holocaust Fiction. <\/em>Sept 2015.<\/p>\n

Aline Kohler, Ovidian Myth in Amy Beth Kirsten’s\u00a0 Music<\/em>. Co-supervised with Mathilda Reichler, Haute Ecole de Musique de Lausanne.\u00a0 Sept, 2015.<\/p>\n

Chloe Falcy, ‘When orient light \/ Exhaling first from darkness they beheld’: the Oriental Narrative of Milton’s <\/em>Paradise Lost. June 2016.<\/p>\n

Sandra Vuilleumier, ‘Man is to live; and all things live for Man’: Nature and Ecology in Milton’s <\/em>Paradise Lost. Sept 2016.<\/p>\n

Jonathan Antunes Afonso, ‘I Stand in My Own Pain and Sing My Own Song’: Rewriting Eurydice in Modern and Contemporary Women’s Poetry. <\/em>Dec 2016.<\/p>\n

Marie-Laure Cap, Chronotopic\u00a0Ethics: Fleshing Out Time and Space in Kazuo Ishiguro’s<\/em> Never Let Me Go. May 2017. Faculty Prize, 2018.<\/p>\n

Laura Vogel, Creatureliness in J. K. Rowling\u2019s <\/em>Fantastic Beasts and the <\/em>Harry Potter series: Animal Studies and Posthuman Approaches. <\/em>June 2020.<\/p>\n

Katharina Schwarck,\u00a0Snape, Snape, Severus Snegg –\u00a0<\/em>The Russian Translation of Proper Nouns in J K Rowling’s\u00a0Harry Potter and the Philosopher’s Stone, <\/em>Co-supervised with Ekatarina Velmozova, Dept of Slavic Studies. Sept 2022.<\/p>\n

Alexandre Jordan, Writing the Ineffable: (De)constructed Identities in Virginia Woolf\u2019s <\/em>The Waves and Kazuo Ishiguro\u2019s <\/em>Never Let Me Go. Jan 2023. Faculty Prize, Sept 2023.<\/p>\n

Romain Bajulaz,\u00a0A Future Anchored in the Present:\u00a0<\/em>Margaret Atwood’s\u00a0<\/em>MaddAddam trilogy and its real-world resonances<\/em>. June 2023.<\/p>\n

MEMOIRE <\/em><\/strong>EXAMINATION (as expert), University of Lausanne<\/strong><\/p>\n

Delphine Hirschi, From Beowulf to Frodo: New Heroism in Tolkien’s <\/em>Lord of the Rings<\/em>, <\/em>2011. Supervisor: Denis Renevey.<\/p>\n

Jessica Monnet, Meaning behind Metamorphoses in Alasdair Gray’s <\/em>Lanark, 2011. Supervisor: Kirsten Stirling.<\/p>\n

Marie Emilie Walz, When <\/em>The Faerie Queene enters <\/em>The Bloody Chamber, 2012. Supervisor: Martine Hennard Dutheil du Roch\u00e8re. Faculty Prize, 2013.<\/p>\n

Philip Lindhom, Blindness and Insight in <\/em>Lyrical Ballads and Other Selected Romantic Texts, <\/em>2012. Supervisor: Roelof Overmeer. Faculty Prize, 2013.<\/p>\n

Harley Edwards, Gustav Hasford’s Vietnam War Novels<\/em>, Jan 2014: Supervisor Agnieszka Soltysik Monnet.<\/p>\n

Estell Hegglin, Harry Potter saga. <\/em>Aug 2015. Supervisor: Kirsten Stirling.<\/p>\n

Sophie Toscan, Sylvia Plath\u2019s The Bell Jar, <\/em>Margaret Drabble\u2019s The Mill Stone, <\/em>and Ian McEwan\u2019s On Chesil Beach, <\/em>Jan 2016. Supervisor: Val\u00e9rie Cossy.<\/p>\n

Loris Rimaz, Descente aux enfers: La pr\u00e9sence et l\u2019influence des r\u00e9cits de catabase dans Doom. <\/em>June 2022. Supervisor: Isaac Pente (Science du Language et de l\u2019Information). Faculty Prize, Sept 2023.<\/p>\n

Mathilde Fragni\u00e8re, Narratives of the Future(s): Rewriting the Ideology of Progress in Solarpunk Short Stories, <\/em>Jan 2023. Supervisor: Agnieszka Soltysik Monnet<\/p>\n

Hakim L\u00e9o Sahal, How to Write a Novel Accidentally : The Effects and Relevance of Jack <\/em>Kerouac\u2019s Spontaneous Prose. <\/em>Sept\u00a02023. Supervisor: Agnieszka Soltysik Monnet<\/p>\n

MA supervision\u00a0at University of Sheffield, 1993-2010<\/strong><\/p>\n

Alasdair Gray; Margaret Atwood and Marge Piercy; Postmodern war narratives; Gender in Katabatic literature; Flann O\u2019Brien and Paul Auster; Milan Kundera; Mervyn Peake; War in Children\u2019s and Crossover Fiction; Ursula LeGuin and Philip Pullman.<\/p>\n","protected":false},"excerpt":{"rendered":"

Supervision of MA m\u00e9moires (selected) Amrit Singh, Behind the Grey Curtain: a study of the inner mechanisms of the sub-created world in J R R Tolkien’s The Hobbit and The Lord of the Rings. Dec 2012. Tania Balderas, From Rulfo to Rushdie: Latin American and British Magic Realism. Sept 2013. Victoria Baumgartner, The Genesis of … <\/p>\n

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