{"id":475,"date":"2016-06-28T23:42:27","date_gmt":"2016-06-28T21:42:27","guid":{"rendered":"http:\/\/people.unil.ch\/rachelfalconer\/?page_id=475"},"modified":"2024-12-03T10:33:01","modified_gmt":"2024-12-03T09:33:01","slug":"phd-supervision","status":"publish","type":"page","link":"https:\/\/people.unil.ch\/rachelfalconer\/phd-supervision\/","title":{"rendered":"PhDs"},"content":{"rendered":"\n<p><strong>PhD supervision&nbsp;(University of Lausanne)<\/strong><\/p>\n\n\n\n<p>Amy Player, Doctoral Assistant in Modern English Literature (<em>Assistant-dipl\u00f4m\u00e9<\/em>) 2018-2023. <em>New Nature Writing in the Anthropocene: Jay Griffiths, Kathleen Jamie and Robert Macfarlane,<\/em> 2024. Faculty Prize 2024.<br><br>Philip Lindholm, Doctoral Assistant in Modern English Literature (<em>Assistant-dipl\u00f4m\u00e9<\/em>) 2012-2018.\u00a0<em>Synaesthesia in British Romanticism, <\/em>2018<em>.\u00a0<\/em>Faculty Prize 2019.<br><br>Rachel Nisbet,\u00a0Doctoral Assistant in Interdisciplinary Studies\u00a0(<em>Assistant-dipl\u00f4m\u00e9<\/em>) 2011-2018.\u00a0<em>Anthropocene River Narratives,<\/em> 2018.<\/p>\n\n\n\n<p><strong>Pr\u00e9sidente du jury de th\u00e8se<\/strong> <strong>(University of Lausanne)<\/strong><\/p>\n\n\n\n<p>Andrew Reilly, <em>William Shakespeare&rsquo;s Hamlet in Publication and Performance, 1709-1735,  <\/em>2022.<\/p>\n\n\n\n<p>John Bergstrom-Allen, <em>Promoting and Policing Religious Speculation: The Vernacular Literature of the Carmelite Order in Medieval Englan<\/em>d, 2017.<\/p>\n\n\n\n<p><strong>PhD supervision&nbsp;(University of Sheffield)<\/strong><\/p>\n\n\n\n<p>Jennifer Adams,&nbsp;<em>Magic Realism and Holocaust Fiction,<\/em> 2010.<\/p>\n\n\n\n<p>Mervat Al-Jomaa,&nbsp;<em>Crossover Literature, Psychoanalytic and Reader Response Theory,<\/em> 2010.<\/p>\n\n\n\n<p>Yi Yin Lee,&nbsp;<em>Space and Identity in Young Adult Literature,<\/em> 2010.<\/p>\n\n\n\n<p>Brendan Stone,&nbsp;<em>Contemporary Autopathography and Narrative Theory,<\/em> 2004.<\/p>\n\n\n\n<p>Julie Scanlon,&nbsp;<em>Contemporary Women\u2019s Fiction and Feminist Theory,<\/em> 2003.<\/p>\n\n\n\n<p>Marcus Nevitt,&nbsp;<em>Early Modern Women\u2019s Writing, <\/em>2001.<\/p>\n\n\n\n<p><strong>Secondary PhD supervision&nbsp;(University of Sheffield)<\/strong><\/p>\n\n\n\n<p>Holocaust Literature, completed 2002<br>Theories of Agency in Bakhtin and Queer Studies, 2001.<\/p>\n\n\n\n<p><strong>Internal PhD examining (University of Sheffield)<\/strong><\/p>\n\n\n\n<p><em>Trauma, Utterance and Patterns in Holocaust Survivor Testimony<\/em>, 2008<br><em>Poetry of John Berryman,<\/em> 2008<br><em>European, Inter-War, Lesbian and Gay Fiction<\/em>, 2006<br><em>The novels of W.G. Sebald, <\/em>2005<\/p>\n\n\n\n<p><strong>External PhD examining<\/strong><\/p>\n\n\n\n<p>Lily Desau, <em>Labouring Sounds: Labour and Ecology in the Poetry of John Clare<\/em>, University of Geneva, 2024.<\/p>\n\n\n\n<p>Megha Agarwal, \u2018Anabasis and Katabasis in&nbsp;<em>Inferno<\/em>,&nbsp;<em>Paradise Lost<\/em>,&nbsp;<em>Frankenstein<\/em>&nbsp;and&nbsp;<em>Heart of Darkness\u2019,&nbsp;<\/em>Goldsmith\u2019s College, London University, June 2018.<\/p>\n\n\n\n<p>Arnaud Barras, \u2018Ecopoetic Metafiction: the Interaction of Organism and Environment in Postcolonial Literatures, University of Geneva, June 2016.<\/p>\n\n\n\n<p>Susanna Gebhardt, &lsquo;Early Modern English Wall-Writing: Memory and Textual Culture&rsquo;, University of Geneva, Jan 2013.<\/p>\n\n\n\n<p>Karian Schuitema, <em>Children\u2019s Theatre in the UK: Representing Cultural Diversity on Stage Through the Practices of Interculturalism, Multiculturalism and Internationalism<\/em>, University of Westminster, London, April 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhD supervision&nbsp;(University of Lausanne) Amy Player, Doctoral Assistant in Modern English Literature (Assistant-dipl\u00f4m\u00e9) 2018-2023. New Nature Writing in the Anthropocene: Jay Griffiths, Kathleen Jamie and Robert Macfarlane, 2024. Faculty Prize 2024. Philip Lindholm, Doctoral Assistant in Modern English Literature (Assistant-dipl\u00f4m\u00e9) 2012-2018.\u00a0Synaesthesia in British Romanticism, 2018.\u00a0Faculty Prize 2019. Rachel Nisbet,\u00a0Doctoral Assistant in Interdisciplinary Studies\u00a0(Assistant-dipl\u00f4m\u00e9) 2011-2018.\u00a0Anthropocene River &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/people.unil.ch\/rachelfalconer\/phd-supervision\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;PhDs&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":780,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-475","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages\/475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":5,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages\/475\/revisions"}],"predecessor-version":[{"id":911,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/pages\/475\/revisions\/911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/media\/780"}],"wp:attachment":[{"href":"https:\/\/people.unil.ch\/rachelfalconer\/wp-json\/wp\/v2\/media?parent=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}